Category: DTH Operator

  • VSNL to set up cyber cafes at railway stations

    VSNL to set up cyber cafes at railway stations

    MUMBAI: Videsh Sanchar Nigam Ltd (VSNL) is setting up cyber cafes at major railway stations across the country to create user-friendly public internet access points.

    The company, which has been awarded franchisee rights for running of cyber cafes at 68 locations, plans to make all of them operational in the next few weeks. The first of this was inaugurated at the Bangalore railway station by VSNL president of broadband and retail business Shashi Kalathil.

    Speaking on the occasion, Kalathil said, “This effort will enable VSNL implement the promise made in the Union Railway budget of setting up such cyber cafes across the leading railway stations in the country. We are keen on making internet easily available so that passengers can stay connected even while on the move.”

    All Tata Indicom dial-up internet and broadband subscribers can use this facility by using their existing accounts. “Each of these cybercafes will be equipped with 10-20 high end multimedia PCs with flat panel monitors and will be open 24 X 7. Travellers can now avail Internet browsing and gaming facilities at very affordable rates. We also plan to offer other value added services like printing, scanning, mobile charging and CD writing through these cafes. Passengers can also use the cyber cafes for making onward bookings, checking their bank statements, tracking their investment portfolio and making ISD calls at affordable prices,” VSNL said.

    Tata Indicom will also create select areas in the railway station that are Wi Fi enabled, allowing passengers to experience the internet on their laptop or Wi-Fi enabled PDAs.

  • Reliance, Orbit target Middle East hospitality industry with RiTV

    Reliance, Orbit target Middle East hospitality industry with RiTV

    MUMBAI: Telecom service provider Reliance Communications in association with Orbit Communications Company (OCC) has launched RiTV, which is an interactive television, broadband and media solution.

    OCC and Reliance Communications have introduced a “Go to Market Strategy” that offers a variety of interactive TV services. RiTV was demonstrated at the three-day ‘The Hotel Show’ held at the World Trade Centre, Dubai.

    The new multi media solution delivers on-demand entertainment, internet access and information services through an intuitive interface. It is said to be compatible with a variety of television screens including Plasma and LCD screens and through a remote and keyboard multiple service offerings can be accessed.

    RiTV is believed to present opportunities to develop a new revenue stream for Hotels.

    RiTV CEO Gurjeet Sandhu has been quoted in media reports as saying, “The cutting edge guest room media solution offers new incremental revenue streams for hoteliers. We look forward to tap the tremendous potential of RiTV to all existing hotels as well as thousands of hotels scheduled for construction in the Middle East.”

    The latest Hotel Interactive system, is expected to enhance the customer value proposition for the hospitality industry in the Middle East. Through an interface with a hotel’s Property Management System, it also has the ability to extract data relating to customer behaviour and preferences.

    OCC business development manager Fadi Ghazzaoui added, “RiTV is a powerful interactive guest room solution offering high quality experience for guests. The system can be customised as per the need of hoteliers and has capabilities to be scaled up to meet the future needs of hotels and their guests. We will also offer integrated solutions encompassing a gamut of TV Channels, movies, Internet via Satellite and VOIP (Voice over Internet Protocol) solutions to the Hospitality market.”

  • DoCoMo & Hutchison partner for i-mode deal

    DoCoMo & Hutchison partner for i-mode deal

    MUMBAI: Japan’s NTT DoCoMo, Inc. and Hutchison Telecom Hong Kong, have jointly announced a partnership to bring i-mode services to Hong Kong and Macau by the end of the year, thus, extending Hutchison Telecom’s outreach in Asia.

    The parties also agreed to launch an IC card technology service, often referred to as the wallet-phone in Japan, on i-mode enabled handsets.

    According to a release, DoCoMo will provide the technology and marketing expertise to the partnership, enabling Hutchison Telecom Hong Kong to offer i-mode services. Hutchison phone customers would be able to download credit onto their cell phones, swipe and use it whenever required. However, the financial details of the agreement were not disclosed.

    First introduced in 1999 by NTT DoCoMo, i-mode allows mobile phone users to access the Internet and provide for facilities such as emailing, web surfing, paying bills and shopping.

    Stating that the service will be available within a few months, Hutchison Telecom CEO Dennis Lui, added, “We are delighted by this partnership. In addition to providing cutting-edge services for our customers, it consolidates our position as Hong Kong’s most forward-looking mobile operator, as we continue to lead innovative developments in the mobile industry and seek to shape the communications market into the future.”

    NTT DoCoMo senior VP and MD of Multimedia Services, Takeshi Natsuno commented, “We are confident that this strategic partnership will bring multiple synergies for both companies as well as other member operators. We are also proud to announce our common strategy in bringing our wallet-phone experience from Japan to the region. This new partnership will certainly drive further expansion of i-mode in the global arena.”

    “With its proven business model and unique service platform, i-mode creates an open gateway for content providers. They will be able to immediately tap into the vast potential of one of the largest mobile customer bases in Hong Kong supported by one of the most advanced mobile networks in the world. We will work with content providers to spearhead the next generation of mobile Internet development in Hong Kong,” added Lui.

    In addition to DoCoMo in Japan, the signing of this agreement, will have licensed 16 i-mode operators in 24 countries around the world. Also, SMART Communications, Inc. is currently preparing to launch the service in the Philippines, adds the release.

  • Dish moves court against Star

    Dish moves court against Star

    NEW DELHI: Court cases are buzzing all over the place in the media sector as deadlines for various guidelines, including adhering to downlink norms, near.

    In its first direct salvo against the Hong Kong-based Star Group, the Subhash Chandra-promoted ASC Enterprises, owners of the Dish TV DTH service in India, has moved the disputes tribunal against the former’s reluctance to make available Star channels to its platform.

    “It is respectfully submitted that the present petition has been filed due to the refusal on the part of the respondent (Star Group through Star India) to supply its bouquet one channels to the petitioner on reasonable and non-discriminatory terms,” the petition states.

    Filed today at the Telecom Disputes Redressal and Settlement Tribunal (TDSAT), the ASC petition adds, “The unreasonableness on the part of the respondent is evident from the fact that the respondent has laid down impracticable and unreasonable terms and conditions for supply of its bouquet one channels.”

    Contacted by indiantelevision.com, a Star India spokesperson said, “Negotiations are on with Dish TV. Beyond that we cannot comment as we have not heard from TDSAT yet.”

    The petition has been filed as Telecom Regulatory Authority of India (TRAI) in an order has mandated that all content should be made available to all delivery platforms on a non-discriminatory basis.

    Justifying its action of approaching the TDSAT, the petition seeks “appropriate directions against the acts of omission and commission” of Star, including its failure to provide on request the signals of the channels of its first bouquet “on reasonable and non-discriminatory terms.”

    Bouquet one of Star consists of channels like Star Plus, Star Movies, Star News, Star World, Star Gold, Channel [V], National Geographic Channel, The History Channel and Vijay TV.

    The second bouquet — the formation of which was necessitated owing to certain directions from the sector regulator in an effort to control cable TV prices — comprises Star One, Hungama, The Disney Channel and Toon Disney.

    What is interesting is that the Chandra company has decided to take on one time ally-turned-competitor with a vengeance.

    The petition not only states that discussions with Star were initiated by Dish TV in December 2005, but also insinuates that the delay in concluding a commercial agreement is deliberate as the respondent is a joint venture partner in another DTH service, Tata Sky, proposing to start operations later this year.

    Interestingly, Dish TV has won a favourable direction from TDSAT in a similar case involving MTV.

    Discovery-Sony distribution joint venture One Alliance, which comprises MTV and sibling channel Nick, is said to be close to striking a deal with Dish TV for its channels that include the likes of SET, MAX, Discovery and AXN.

  • Dish not about to let DTH first mover headstart go Sky way

    At Zee‘s office in Noida Film City, on the outskirts of Delhi, which also houses the news, DTH and sports operations with a state-of-the-art playout facility, the atmosphere these days is electric. Meetings are being held all over the place with senior management discussing restructuring, business strategies and increments in hushed tones.

    DTH business head and a younger brother of Essel Group chairman Subhash Chandra, Jawahar Goel, despite the surface cool is unable to contain the excitement even as he rushes back for an appointment with Indiantelevision.com from a management meeting.

    “These are exciting times,” he says, settling down in his plush wood-paneled office. Even as he quickly checks his e-mails on the wi-max enabled laptop, he shoots back with confidence, “In spite of Star and Sony channels‘ absence on Dish TV, we are selling 3,000 connections per day these days. This augurs well for us, though the regulatory environment could have been better.”

    Concurring with Goel is another senior executive of Essel Group, which is the parent of Zee and sister concern ASC Enterprise that holds the licence for DTH service in India.

    “We do expect competition in the middle of (calendar year) 2006, but I feel there‘s space for all players in the immediate future as DTH stands to take away some market share from cable,” says Rajiv Garg, chief executive, finance and corporate strategy, Essel.

    It is this confidence that a business could be built up even against odds and with looming competition that pumps up the adrenalin of the crack team at Dish TV, the brand name under which the DTH service is marketed.

    According to Hong Kong-based media research firm Media Partners Asia (MPA), India is set to emerge as Asia‘s leading revenue generating pay-TV market by 2015 with multichannel video industry (cable, DTH and IPTV) turnover growing from $3.6 billion in 2005 to $7.2 billion by 2010 and $10.5 billion by 2015.

    However, projections on DTH vary and depend a lot on progress (or the lack of it) made on the regulatory front (Dish‘s Goel bookmarks this as an important aspect).

    For example, MPA feels the Indian DTH market is likely to grow to Rs 45 billion ($ 1 billion) by 2015 on a base of slightly over 11 million subscribers and 7.8 million customers by end 2010.

    Contrast this against what others say. According to Sanjeev Prasad, head of equity research at Kotak Securities, the DTH market could grow to only 4 million “pay” homes or $300 million by FYE March 2010, while KPMG projects 8.6 million subscribers by 2010.

    But what most agree on is that digital television, driven more by DTH in India, has the potential of changing the electronic media landscape. In such a scenario, Dish TV, the country‘s first private sector DTH platform, stands to have a beginner‘s advantage. That‘s what most people feel.

    THE DISH STORY SO FAR
    Dish TV was launched in October 2003 by Essel Group after the Subhash Chandra-promoted ASC Enterprise Ltd, the licence holder, got all necessary permissions.

    Since DTH allows users to access a variety of digital television channels directly from the satellite without a local cable service provider, the initial thrust of Dish was in rural areas and those places, like the hilly regions of Himachal Pradesh and interiors of the desert state Rajasthan, where cable TV was a rarity and the terrestrial transmission of pubcaster Doordarshan was fuzzy.

    Thus, providing a superior viewing experience to subscribers who had not viewed anything of the sort, Dish TV built up its subscriber base; albeit slowly. The focus now has broadened to encompass urban areas where the spending power is high.

    Over a period of time, the penetration of Dish TV has increased significantly in the country. It has close to 1 million subscribers presently and is adding approximately 100, 000 subscribers every single month, says Goel. “I am quite happy with the (monthly) rate of growth. Such a ramp has been witnessed only in few top DTH platforms in the world,” he points out.

    With existing features like decent quality boxes, which support features like electronic programme guide, parental lock system and multiple audio feed (at the moment FM radio) Dish TV boasts of a capacity of carrying up to 400 channels and also giving the gaming freaks an opportunity to play video games.

    However, at the moment, technical constraints and uncertainty on the regulation front has compelled Dish to keep the offering to modest levels at conservative prices. Goel admits that channel capacity cannot be expanded at the moment, partly because of lack of transponder space and partly because selecting niche content for a DTH platform from the global market is not easy.

    “If we want to turn into a premium service, we should also have premium content. But clarity on that can only come from the sector regulator (that frowns down upon exclusive content on a delivery platform presently),” he adds.

    THE CHALLENGE AHEAD
    But from this point onward the task of Dish TV becomes that much more difficult as Tata Sky, a 80:20 joint venture between the Tatas and Rupert Murdoch, gears up to unleash its DTH service in the second half of 2006, signaling stiff competition.

    Though Tata Sky, in true Tata style of functioning, is keeping things close to its chest, reports filtering out do indicate that the service would focus on niche content, quality of service and aggressive marketing — some of which might be innovative like supplying one master DTH connections to high-rise residential complexes that can be then split up as per the local need.

    Tata Sky also hasn‘t given up the proposal of heavily subsidizing the set-top box, which will help the service gain entry into households quickly.

    Competition certainly there would be, though Dish TV CEO Sunil Khanna puts up a brave front by saying, “Competition? What competition?

    On a more pragmatic note, he goes on to point out that a change is taking place in the C&S dynamics in India where slowly analog is giving way to digital mode of delivery and transmission that will be primarily driven by DTH and to a lesser extent by broadband and IPTV.

    “If DTH is to play such a big role (in the change), all players have to grow as it‘ll help create market awareness about such a service. Tata Sky or other players‘ entry would only help Dish TV‘s growth,” Khanna surmises.

    There‘s certain logic behind such utterances. The entry of another DTH player is also likely to coerce sector regulator Telecom Regulatory Authority of India (Trai) to revisit an earlier mandate on making available all content to all platforms.

    This mandate has been openly flouted by some broadcasters who have delayed making available their channels to Dish TV on the pretext that continued commercial negotiations
    are yet to be concluded. This also means that Dish TV‘s subscribers are unable to get all the content available on cable services at present.

    “Trai‘s initiatives have been challenged in the court, while the government has its own reasons to be non-committal on issues like CAS and must provide. It is my belief that for the broadcasting industry to grow exponentially over the next five years, more government and self -regulation is needed,” Goel says.

    Consumer acquisition and investment on programming and packaging is another aspect that Dish TV needs to address as it‘s going to play a vital role in the Indian scenario.

    “The next 12-18 months and beyond will see a land grab in the distribution area, initially kick started by DTH and the launch of Tata Sky. So clearly Dish TV will require more investment in the future, particularly as STB subsidies and programming acquisition costs scale up,” says MPA executive director Vivek Couto.

    And, Goel partly agrees that customer acquisition and box subsidisation would take a toll on any DTH player as unlike in the DTH‘s developing stages in countries like the US and the UK, exclusive content is unlikely to be THE driving force of such a service in India.

    A unique market in every sense, in India it has to be combination of quality of service, good packaging of available and niche content, clever pricing of this content and pushing it into customers‘ homes by absorbing part of the cost of the box or the total hardware needed for a DTH service.

    The proverbial beginner‘s advantage may play its role up to an extent in Dish TV‘s growth. Take, for example, the cost of the box itself. While the imported boxes from Korean vendors is costing Dish TV on an average $ 38 (the average price might come down as the demand increases), industry sources say a box is likely to cost Tata Sky between $ 60-$ 65.

    “There‘s always a price advantage to the first mover. We had acquired the customer in the beginning when we paid lower satellite space rates. Though we did not experience negative cost of acquisition, things have changed now. Even Insat is unable to provide enough space to all the DTH probables now,” Goel points out.

    A Dish TV set-up box is now available in the market at an entry price of Rs 2,990 for 75 channels for three months, which also includes the monthly subscription fee for the period. The scheme was started in April.

    After this the customer has the option of paying Rs 107 per month for around 75 channels. The prices go up to Rs 300 per month for more than 100 channels, including the radio services. The company had priced its services initially in such a way as to leave some room for manoeuvring later.

    It‘s tactics like these that have kept the competition on the edge, compelling it also to review its options. Says MPA‘s Couto, “Dish‘s pricing structure has made Tata Sky revise its own plans. I‘m sure Dish will scale it (the price war) up further and then Tata Sky may respond.”

    Aware that what the likes of MPA are saying that intelligent packaging of content has some merit, Dish TV has devised various tiers also like Dish Welcome (introductory offer), Dish Bioscope (specially categorized movie channels like Zee Action and Zee Classic) and Dish Goal (for fans of European football).

    So, Dish Plus package, for example, comes packed with a wide selection of national and international channels at Rs 125 per month and offers channels like Zee Studio, HBO, TCM, MCM, Reality TV. Dish Bioscope, featuring Zee Premier, Zee Action, Zee Classic and Pakistani film channel Filmazia, costs Rs. 55 per month. News is packaged in Dish News with Zee Business, Euro News, Euro Sports News, NDTV 24×7, CNBC TV18, Awaaz and CNN Headlines News. The cost: Rs 60 per month.

    Dish Pick is an a-la-carte package that allows subscribers to pick and choose extra regional channels. Two channels come for Rs 30 per month, five channels for Rs 50 per month and all regional channels come for Rs 100 per month. (All the prices listed here are exclusive of taxes.) Channels included in this package include Zee TV, Sahara One Zee Punjabi, ETV- Rajastan, ETV – UP, ETV – Bihar, Geo TV, Zee Telugu, Jaya TV, Jeevan TV, Akash Bangla, Zee Bangla, Zee Gujarati and Marathi, India TV and NDTV India.

    NEW DISH INITIAIVES
    Knowing fully well that it has to continue reinvent itself, not only prices of Dish TV service has been dropped, but the retail networks too are being strengthened, apart from pushing digital video recorders (DVR) as a value added service.

    Dish, which presently has about 6,000 dealers around the country, is beefing up its network with an additional 3,000 dealers of HCL, the computer hardware company that is also a distributor of Nokia handsets in India.

    As per a yet-to-be-announced pact with HCL 3,000-odd HCL dealers would be responsible for selling, installing and servicing Dish TV hardware at customer end.

    “We expect that such non-exclusive deals will help us reach out to more customers and service them better,” Goel says, hinting that in the near future other such pacts may be concluded.

    Apart from this, the company is also in the process of launching anew its DVR service with focus on Delhi and Pune. Selling at Rs 16,000, a DVR will allow a subscriber to download up to 200 movies, apart from other Dish programming, to be watched at leisure.

    “We want to focus on some select cities like Delhi with the DVR offering before making it nationally available. This is a new concept and we want to do some sampling with subscribers,” Dish CEO Khanna says.

    Towards the end of June, Dish will launch its gaming and middleware facility that will allow DTH subscribers to play not only with games, but also while watching traditional television.

    With the help of technology partner Open TV, Dish plans to introduce middleware tech wherein a viewer can access background information about a cricketer, for example, who‘s playing in a match telecast on TV at that moment. (pix-Courtesy DishTV)

    However, one of the most exciting things explored by Dish TV is the introduction of pay-per-view concept in India in the real sense where subscribers of pay television have the option of watching a programme for a particular period of time after making payment for the same.

    Hoping that the Discovery-Sony Entertainment joint venture One Alliance will come on board soon, Dish is exploring whether exclusive Discovery programming (like excavation of Titanic or a famed Egyptian tomb) can be made available to Dish subscribers on selective payment basis.

    “Pay per view is a concept that‘s yet to mature in India. For that content is most important. But we are examining whether we can try out this concept with Discovery once it joins the Dish platform,” Goel informs with excitement written all over his place.

    It‘s quite apparent that Dish TV is far from being complacent. And, the announcement that at a later stage the whole DTH operation, restructured as part of an over all Zee Telefilms rejig, might be listed on the stock exchange has given the company an impetus to ramp up its activities.

    While Khanna is effusive that in the coming months Dish TV will become “more aggressive” on all fronts, MPA‘s Couto feels the restructuring has come at the right moment. “…a spin off could well be the ideal way to induct strategic and/or private equity financing in DTH.” After all, investments have to be made if the Dish operations are to be ramped up.

    (Rs 45 = 1US$)

  • MTS Allstream partners with SPTV International for MTS Video On Demand library

    MTS Allstream partners with SPTV International for MTS Video On Demand library

    MUMBAI:MTS Allstream signs on Sony Pictures Television International to further expand MTS Video On Demand library Stock Symbol: MBT

    Canada based communication solutions provider MTS Allstream has inked a a multi-year distribution deal with Sony Pictures Television Canada.

    In a bid to expanding the quality and selection of its MTS Video On Demand movie library, MTS Allstream air titles such as Rent, Zathura, The Legend of Zorro, The Exorcism of Emily Rose, and The Fog, as well as MGM’s Into the Blue.

    “MTS has always been committed to delivering the best choice and the best value to its customers,” said MTS Allstream Inc president consumer markets Kelvin Shepherd.

    “By signing this agreement with Sony Pictures Television Canada, we can now give MTS TV customers more choice from an expanded MTS Video On Demand library. With new MTS TV features being rolled out on an ongoing basis, MTS TV continues to be recognized as one of the best digital television services in North America.”

    “We’re very pleased to partner with MTS TV and to bring this huge catalogue of television entertainment to more than 50,000 MTS TV subscribers in Winnipeg,” said Sony Pictures Television International (SPTI) senior VP, pay television Mike Wald.

    “MTS TV is widely recognized as setting the standard for quality of service and delivering choice and flexibility to customers, and we’re proud to be part of the exciting growth of MTS Video On Demand.”

    With MTS Video On Demand, customers can use their remote control to order from a great selection of movie titles and other programs with the ability to watch them as many times as they want, whenever they want within a 24-hour
    period.

  • GlobeVISION forges IPTV distribution agreement with Korea’s CGN TV

    GlobeVISION forges IPTV distribution agreement with Korea’s CGN TV

    MUMBAI: The Los Angeles-headquartered digital media service provider GlobeVISION, Inc. has inked an agreement with CGN TV, Korea’s largest Christian programming broadcaster, to carry content from the network on GlobeVISION’s PIE Service, an on-demand Internet Protocol Television (IPTV) service for Asian-Americans and Asian-Canadians.

    The deal will bring CGN TV’s Christian-valued programs directly to Asian-Americans and Asian-Canadians throughout North America when GlobeVISION’s PIE Service launches on 1 July.

    The PIE service will launch with thousands of Korean titles ranging from moves to television series to news and sports. It will quickly expand to include programming from all over Asia including China and India, states an official release.

    CGN TV is the latest in a string of high-profile content providers to jump onto the GlobeVISION bandwagon. Korea’s two largest private broadcasters (MBC and SBS), largest cable media group (CJ Media) and top movie studio (CJ Entertainment) have signed deals positioning GlobeVISION and the powerhouse distribution channel for Korean content in North America, adds the release.

    “We are pleased to be able to add these values-based programming options to GlobeVISION’s already announced lineup of news, culture, sports and entertainment,” said Edward Bach, founder and CEO/president of GlobeVISION. “GlobeVISION recognizes how important family and faith-based programming is, especially considering what a hot topic it has been in the U.S. lately.”

    The deal also forms a strategic marketing and promotion partnership to boost awareness of CGN TV’s subscription satellite service. CGN TV’s 24 hour satellite service currently beams Christian-themed programming, including culture, worship and educational programs into 123 countries.

  • Singapore’s MediaCorp & M1 set to launch mobile TV

    Singapore’s MediaCorp & M1 set to launch mobile TV

    MUMBAI: Singapore’s MediaCorp is working with telecommunications provider MobileOne (M1) to launch a mobile channel featuring English and Mandarin language content from MediaCorp Studios.

    The channel, available on M1’s mobile portal – MiWorld Mobile – will feature programmes that range from drama serials to infotainment shows.

    A media report quoted MediaCorp Studios senior controller Doreen Neo as saying: “This is a wonderful opportunity for us to be able to bring to our viewers an additional platform. With this 3G collaboration, viewers can get to see our artistes on a different platform other than TV. It also provides additional exposure for our artistes.”

    M1 Consumer Marketing assistant general manager Joseph Loy said: “Over the last few months, we’ve been gearing for 3G. There are more content, more 3G phones in the market and more users as well.”

    Users can access the programmes through MiWorld Mobile on their 3G handsets and choose to pay through video-streaming charges or a monthly flat fee.

  • Consumers ‘quickly’ embrace radio’s digital platforms; Study

    Consumers ‘quickly’ embrace radio’s digital platforms; Study

    MUMBAI: The proliferation of digital broadcast platforms such as Internet radio, satellite radio, HD and podcasting is a testament to the popularity of radio programming in US.

    The Infinite Dial: Radio’s Digital Platforms, a new study by Arbitron Inc. and Edison Media Research, explores this expansion of the radio market and its implications for advertisers and media planners.

    “Consumers are quickly embracing radio’s digital platforms and this new research reveals that these advertising vehicles are becoming increasingly viable,” said Arbitron Sr VP marketing Bill Rose.

    “Our research shows that regardless of the platform consumers see all these options as merely being new forms of ‘radio’” said Edison Media Research president Larry Rosin. “This report provides crucial measurement on the development of radio as it is consumed in new and different ways.”

    The findings reported here are based on a 13 January – 12 February, 2006 telephone survey of 1,925 people who were interviewed to investigate Americans’ use of various forms of traditional, online and satellite media.

    Growth of Internet Radio
    Internet radio is growing rapidly. The monthly audience age 12+ now tops an estimated 52 million; an increase from an estimated 37 million people in 2005. The weekly Internet radio audience also increased 50 percent over the past year, with 12 percent of the US population age 12+ (an estimated 30 million) having listened to Internet radio in the past week, up from 8 percent in 2005, according to the findings.

    Advertiser highlights: Online radio reaches nearly one in five (19 percent) persons per week aged 18-34 and 15 per cent of persons aged 25-54. Weekly Online radio listeners are 36 percent more likely than the average consumer to live in a household with an annual income of more than $100,000.

    Satellite Radio In 2006, awareness of XM and Sirius satellite radio has reached equal levels of 61 percent awareness each among those aged 12 and older. Nearly one in five non-subscribers to satellite radio say they are ‘very’ or ‘somewhat’ likely to subscribe to satellite radio in the next 12 months.

    Advertiser highlights: Twenty-seven per cent of satellite radio subscribers live in households with an annual income of more than $100,000, nearly double the percentage of all households (14 per cent).

    Podcasting When asked to define podcasting in their own words, there was some confusion among respondents regarding the differences among podcasting, Internet broadcasting and downloadable music. When read a definition, eleven percent of Americans say that they have ever listened to an audio podcast.

    Advertising highlights: Podcasting attracts a youthful audience: one out of five who have ever listened to an audio podcast are 12-17 years old, and more than half (53 percent) are under the age of 35.

    HD Radio More than one-third of Americans say they are ‘very’ or ‘somewhat’ interested in HD Radio; more than 40 percent of satellite subscribers say they are interested in HD Radio as well.

    More than one-third of those who said they were interested in HD Radio say they would be likely to purchase an HD Radio receiver at a $100 price point, and 58 percent of those interested say they would be likely to purchase at $50.

    AM/FM Radio While there has been tremendous growth in usage of radio’s new digital platforms, AM/FM radio does not appear to be losing Time Spent Listening (TSL). Daily radio TSL is 2 hours 45 minutes for the average consumer, compared with 2 hours 48 minutes among those who listen to digital radio.

    Seventy-seven per cent of Americans say they expect to listen to AM/FM radio as much as they do now despite increasing advancements in technology. The same holds true for Internet radio listeners (77 per cent) and those who have tried audio podcasting (73 per cent). Satellite radio subscribers showed slightly less dedication to traditional broadcasting, with 64 per cent saying they plan to continue listening to the same amount of AM/FM radio.

    This study, as well as previous studies, may be downloaded free of charge via the Arbitron and Edison Media Research Web sites at www.arbitron.com and www.edisonresearch.com.

  • Panasonic & IBM to showcase GenNext digital entertainment models at National Association of Broadcasters Conference 2006

    Panasonic & IBM to showcase GenNext digital entertainment models at National Association of Broadcasters Conference 2006

    MUMBAI: Panasonic, the brand by which Matsushita Electric Industrial Co., Ltd. is best known, and IBM Corporation has demonstrated for the first time a collaborative environment which enables next generation digital entertainment models at the National Association of Broadcasters (NAB) Conference 2006 in Las Vegas, Nevada.

    The companies have been working together to develop a standards-based ecosystem that will facilitate the implementation of “download and burn” entertainment models to consumer electronics devices that are SD Memory Card-enabled.

    This technology demonstration combined leading-edge Panasonic digital entertainment devices and world-class IBM technology to showcase Content Protection for Recordable Media (CPRM) opportunities throughout the world.

    In an official statememt, Panasonic is considered by many to be the leader in CPRM consumer devices throughout Japan, and is collaborating with IBM to build worldwide support for CPRM adoption.

    The showcase includes new models that enable consumers to burn digital entertainment content obtained via the internet on physical media like SD Memory Cards; the ability to download and play content on SD Memory Card-enabled devices like mobile phones, TV’s with SD Memory Card capability, and other SD Memory Card-enabled devices; and IBM’s Media Hub framework that establishes a rich Service-Oriented Architecture (SOA) ecosystem that helps clients take smart, evolutionary steps toward implementation of their SOA strategy in order to meet their business needs.

    “Through this demonstration, Panasonic wants to focus on showing a total approach toward achieving an excellent mobile entertainment solution for the customer, and CPRM is an essential part of that,” said Tetsuro Homma, general manager, SD Solution Group, Panasonic AVC Networks Company, the Matsushita Electric divisional company that is responsible for plasma TV, digital cameras, personal computers and other digital products.

    “IBM has the combination of technology, service experience, research and consulting know-how to help build worldwide support for CPRM adoption, ” said Homma.

    “This joint initiative is consistent with Panasonic’s worldwide insistence on the highest quality in the customer’s entertainment experience, whether in HD Plasma TVs, where we are the US market and technology leader, or in the mobile entertainment experience that will be demonstrated by Panasonic and IBM at the NAB Show,” added Panasonic Corporation of North America VP and chief technology officer Dr. Paul Liao.

    For the demonstrations at NAB 2006, Panasonic has been given access to IBM DMTS (Digital Media Transaction Services), a web service plug-in that enables the flow of entertainment content protected by CPRM technologies. In addition, IBM was given access to Panasonic’s broad line of SD Memory Card-enabled devices, some of which use SD-Audio and SD-Video specifications, in addition to new SD Memory Card-enabled devices, currently being evaluated for the use of CPRM functionality.

    “IBM is building on our commitment to an open digital media framework. By working together with Panasonic on this type of advanced enterprise CPRM technology, we will enable people to leverage content in new and exciting ways,” said IBM Media & Entertainment, Digital Media general manager Dick Anderson.