Category: Cable TV

  • MSO says Cable TV amendments not enough

    MSO says Cable TV amendments not enough

    The changes approved by the Cabinet in the Cable TV Act, 1995 are welcome said Ashok Mansukhani, who once headed MSO InCable. “The focus is on the provider of the content, not on cable TV operators as being culpable for any questionable content,” says Mansukhani. “Earlier, a couple of cases had been filed against Star Movies where we were also named as infringers of the law. The amendment forcing broadcasters to adhere to the programming and ad code puts the onus on them.”

    According to him, the amendments, serve to bring even pay TV channels under the DD programming code. “There is an equalisation between pay TV and free to air TV channels. Earlier on, programmers used to take refuge under the statement that they were pay channels.”

    He, however, expressed doubt about the fact that the government had left policing of the amendments in the hands of local authorities. “What is all right in Mumbai may be repulsive in Agra. Hence making local designated authorities responsible for content can be a potential landmine field. A central broadcasting standards council should have been set up which will monitor content nationally. This is something the industry has been demanding.”

    Additionally, what has got Mansukhani’s goose is the fact that the government (read: DD) is forcibly blocking up three channels to prop up the inefficencies of the state owned broacaster through the amendments.

    “Almost 40 per cent of TV sets in India are not cable TV ready,” he says. “They can receive only 10-12 channels. By blocking three channels in the prime band the government- in partnership with DD – is limiting the industry from placing the channels of their and the consumers’ choice. DD has consistently been losing revenue to private channels and this amendment is a blatant effort by the broadcaster to improve its position, reduce competition through a government mandate.”

  • ABU delivers excellent results for Commonwealth Games

    ABU delivers excellent results for Commonwealth Games

    MUMBAI: The Asia Pacific Broadcasting Union (ABU) has announced that over a billion people had access to free-to-air coverage of the Melbourne 2006 Commonwealth Games, stretching from Mongolia in Central Asia, down to the Republic of Timor Leste.

    ABU’s head of sport in Melbourne John Barton says, “We have built the biggest television platform in Asia and the Pacific for the Melbourne games and we will continue to see it grow over the years, especially with New Delhi hosting the next event in 2010.”

    Televising multi sport events such as the Olympics and Commonwealth Games on free-to-air television would have lasting economic benefits for a nation, says Barton.

    “We are not just investing in a sporting contest. It is much greater than that. We are showcasing the character of a host nation, its many cultural and commercial assets, and the character and values of the competing nations. That was why it is extremely important for the events to be seen on the free-to-air television markets around the world where their countrymen could share the highs and lows that come with the great sporting occasion.

    “Governments and broadcasters have a dual responsibility to make sure that their athletes and teams are given due recognition on television for their years of effort and training. So when they step out onto the international sporting stage they know that their nation is with them, right at that moment, sharing their joy or sadness” he adds.

    Governments in Asia are spending hundreds of millions of dollars on sporting infrastructure, facilities, coaches and new training methods. “Asia is thriving as a regional sporting powerhouse with the increasing numbers of Olympic champions. But without television, which has been the engine for growth for many years, that development could be arrested,” he added.

  • Govt directs cable ops to furnish TV channel details

    Govt directs cable ops to furnish TV channel details

    NEW DELHI: With an eye on future media regulations, the government has asked MSOs and cable operators to furnish the details of TV channels they re-transmit on their networks, including local cable-delivered video channels.

    In a letter to MSOs and to Cable Operators’ Federation of India, dated 26 June 2006, the information and broadcasting ministry has said that the government is developing a centralised data bank of all TV channels, including video channels, for monitoring purpose and, hence details would be needed for the same.

    This step has been taken, explained a ministry official, to effectively monitor even local video channels run by cable operators where news, along with entertainment, form part of the programming line up.

    The detail sought by the government is over and above the registration process of TV channels initiated under the downlinking guidelines where all satellite channels would have to obtain landing rights from designated authorities.

    On last count, 65-odd TV channels had applied for landing rights in a country that boasted of over 300 channels being accessible to subscribers of cable TV and DTH.

    Some cable operators, however, feel that the latest initiative would increase paperwork and is an attempt by the government to crack down on local video channels, which also air music videos some of that have run into problems with the authorities when aired on music channels.

    The government official played down the directive to MSOs and cable ops, saying it was a “routine matter.”

    In a draft broadcast bill, the government has proposed that all cable operators would have to register themselves with the government and/or the regulatory body to run cable networks and adhere to certain other criteria.

    Presently, a person just needs to register with the local post office to start a cable network after paying a nominal amount of money wherein things like quality of service and after sales service to subscribers are not given much importance.

  • KTF Korea launches nationwide Ultra-High Speed Wireless Network with LG-Norte

    KTF Korea launches nationwide Ultra-High Speed Wireless Network with LG-Norte

    MUMBAI: KTF, one of South Korea’s prominent cellular providers, has launched a next-generation ultra-high speed 3.5G wireless network in Seoul and cities across South Korea using wireless broadband technology from LG-Nortel, a joint venture of LG Electronics and Nortel.

    The network supports advanced handset capabilities including high-definition (HD) video, video chatting, messaging and remote monitoring, claims an official release.

    The new 3.5G HSDPA, handset-based service is being launched with two handset models in the initial deployment – including the first HSDPA phone from LG Electronics, the LG-KH1000. A further four to five handsets are planned later in the year. KTF’s new service is branded ‘WorldPhone View’, a name representing ‘the world at your fingertips’ through access to video and collaborative multimedia applications.

    KTF’s HSDPA mobile communications will be rolled out in 50 cities across South Korea beginning 30 June. LG-Nortel is the primary network supplier and is the exclusive vendor for 34 cities including the vast Seoul metropolitan area which alone accounts for almost 50 percent of the total population of Korea. It is estimated that 80 per cent of the country’s population will be able to access the service by the end of August 2006. A further 34 cities will be added by year-end, raising that figure to over 90 percent of the population, according to KTF estimates, the release adds.

    “The launch of our ‘WorldPhone View’ HSDPA service is a key component of KTF’s portfolio of next-generation mobile services,” says KTF EVP Won-Jin Park. “We chose LG-Nortel as the primary supplier for our UMTS/HSDPA network based on its strong technology credentials and our existing relationship. LG-Nortel has successfully implemented a world-class network which allows us to implement groundbreaking services as we enhance the mobile communications experience for all our customers.”

    “LG Nortel, with the strong support of our parent companies Nortel and LGE, has implemented a secure, reliable, high-speed network to support the innovative range of services and applications KTF is launching to its customers,” says LG-Nortel chairman on the board Peter MacKinnon. “Korea leads the world in wireless broadband and LG-Nortel plays an integral role in ensuring the continuation of that success. We will work closely with KTF on the evolution of their network to support higher uplink speeds and ever-more sophisticated service requirements in the future.”

    A key differentiator of HSDPA compared to current technologies is its ability to support high-speed, real-time HD video content. ‘WorldPhone View’ users will be able to access a variety of new services, including video SMS, video ringtone services, video chatting, video ad messaging and video remote monitoring – as well as high-quality video telephony. High-speed broadband capabilities will also enhance music downloads and high-volume multimedia collaboration and set the foundation for more sophisticated online gaming applications.

    The two HSDPA handsets being launched will also support universal integrated circuit (IC) cards, allowing access to secure transactions for transportation, membership, mobile banking and credit card services, informs the release.

  • Kerala cable operators protest luxury tax; go on token strike

    Kerala cable operators protest luxury tax; go on token strike

    MUMBAI: Cable operators in Kerala went on a ‘6 am to 6 pm’ strike demanding rollback of the five per cent luxury tax proposed in the state budget for 2006-07.

    “The strike paralysed the television viewing in Kerala during the day time. This was a token strike, and it is learnt that the Cable Operators’ Association is planning to meet the minister before planning its next move,” an executive of a leading Malayalam channel told indiantelevision.com.

    News agency PTI reports that cable operators in all towns joined the strike, making it a dull and dreary day for television viewers. A spokesman of the Cable Operators’ Association has been quoted as saying that, the strike was a major success as big and small service providers joined in the protest.

  • Single network to ease dilemma faced by broadcasters

    Single network to ease dilemma faced by broadcasters

    SINGAPORE: Broadcasters – with their need to transport uncompressed studio-quality video – are the most demanding customers for video, voice and data networks. Broadcasters face an expensive and complicated future with the task of upgrading networks to enable digital terrestrial television, HDTV and Video on Demand (VOD) and upgrading data and telephony to meet today’s standards, unless they can implement a single network that can meet all of these needs.

    NetSight Sweden global director operations Thomas Wahlund threw light on how European broadcasters such as Eurovision and Broadcast Services Danmark have recently implemented unified Next Generation networks to provide video for contribution, distribution, and digital terrestrial television plus audio for radio, internet and even telephony.

    “Using Asynchronous Serial Interface (ASI), a very common interface used to transport MPEG compressed video to satellite uplinks, between studios and for distribution in for example CATV networks, PCR jitter has to stay under 500 nanoseconds in order for a correct decoding to be done. Since the format is compressed, if only one of these frames arrives out of spectrum it could make the decoder loose synchronisation and it could take several seconds before the service is restored. In the ad-driven world of broadcasting even a few seconds of black screen is obviously unacceptable,” Wahlund said.

    Delivery channels – terrestrial, cable and satellite, need to keep pace with the ever-increasing demands of the content to be streamed, the demands upon spectrum and the constant high and sometimes unreasonable expectations of the viewer.

    Each professional uncompressed standard video stream requires 270Mbps, which is more than 50 times the requirement for a cable -TV movie. Due to the demands of video, broadcasters deploy separate networks for voice and data.

    Broadcasters are now looking to upgrade their analogue TV networks with digital TV networks. Singapore, Japan, Australia and Taiwan have rolled out Digital Terrestrial Television (DTT), and most Asian countries will do so in the coming years. With DTT or DVB-T, digital TV signals are transmitted from terrestrial antennas to digital TV receivers in the households. The benefits of this are lower operational costs, a higher picture quality and the ability to transmit up to four times more TV channels on the same frequency range. 

    Wahlund further added, “The requirements on video transport will also soon increase, as broadcasters change from SDTV to large – scale deployment of HDTV. As a norm, an HD feed takes up roughly four times the bandwidth of a standard definition feed. Today’s delivery mechanisms will not be sufficient to handle the increased bandwidth. Broadcasters are now faced with a dilemma of upgrading their data and telephony networks to meet today’s standards.” 

    In Europe, several major broadcasters have actively acquired their own networks. The European Broadcast Union (EBU) and Broadcast Service Danmark (BSD), the provider of analog and digital distribution of TV and radio in Denmark, each built its own next generation networks to provide video for contribution and distribution plus audio for radio, internet and even telephony.

    “They are now using the networks to connect production studios with film banks, stadiums and other production sites. These optical networks handle a mix of video, audio, data and even telephony without massive over provisioning of bandwidth, delay, jitter and constant (and costly) traffic engineering. Broadcasters have been able to increase the services such as HD and VOD and they have also been able to improve workflow, and substantially save on operating and capital expenses,” Wahlund said. 

    “They are meeting the challenges of providing new services such as HDTV and digital television by building next generation multi-service fibre networks that can provide these services. They are achieving additional benefits by intelligently using the additional bandwidth these networks to provide state of the art contribution and distribution networks and upgraded data and telephony services. They are also benefiting from reduced operating expenses from a unified management system. This is proving to be a rare win-win proposition for all,” he concluded.

  • Alfred Haber to distribute 49th Grammy Awards globally

    Alfred Haber to distribute 49th Grammy Awards globally

    MUMBAI: Alfred Haber (AHI) has been appointed exclusive international distributor of the 49th Annual Grammy Awards in 2007 by The Recording Academy.

    This new deal marks the 18th consecutive year that AHI has served as international distributor for this awards show. In India, the show has been airing over the past few years on Star World.

    The Grammy Awards will take place on 11 February 2007. In the US, it will air on CBS.

    The Grammy Awards was the first awards show to air in high-definition TV/5.1 surround sound and will continue utilizing the latest technologies to provide a more immersive viewing and listening experience for the show’s global audience.

    Alfred Haber says, “The Grammy Awards mark music’s biggest night. This live, three and a half-hour extravaganza has been the world’s most popular annual music event for decades, and we are delighted to able to offer this magical evening to our buyers around the world once again.”

  • CODA urges government to fix cable TV rate

    CODA urges government to fix cable TV rate

    MUMBAI: Cable operators today urged the Maharashtra government to fix cable subscription rates in the state. They also asked for a rollback of 50 per cent hike on entertainment tax.Addressing the press in Mumbai, the representatives of Cable Operators’ Distributors Association (Coda) said they had written to the state revenue minister Narayan Rane, requesting to re-consider its decision on the hike. 

    The state finance minister Jayant Patil had proposed a hike in taxes which included a 50 per cent increase in entertainment duty levied on cable operators, while presenting a surplus budget of Rs 3.06 billion for 2006-2007 in the Assembly.”We have asked the state government to fix a uniform cable TV rate. We have also asked the government to revise its decision on the entertainment tax hike. We hope to meet the minister on this next week,” said Coda vice president Ravi Singh.

    Entertainment tax in those areas under municipal corporations, such as Mumbai, Navi Mumbai, Thane and Nagpur, will go up from Rs 30 to Rs 45. Also, Grade-A municipal council areas would now pay Rs 30 instead of Rs 20, while Grade-B & C municipal council zones would pay Rs15 instead of Rs10.

    Coda also suggested for a three-tier entertainment tax system. “The government could consider a different entertainment tax rate structure for the upper, middle and lower classes. If the government goes ahead with the 50 per cent hike in entertainment tax, we may go on strike. Why should we be responsible for collecting entertainment tax? We are, after all, service providers,” said Singh.

  • Broadcast bill ready; scheduled to be tabled in Monsoon Session of Parliament

    Broadcast bill ready; scheduled to be tabled in Monsoon Session of Parliament

    NEW DELHI / MUMBAI: After many years of meandering on the margins (since 1997), the information and broadcasting ministry is ready with a final draft of the Broadcast Bill 2006, which in all likelihood is going to turn out to be controversial and stringent at the same time.

    The recommendations that have been proposed in the bill, if they finally become law, are bound to have seismic repercussions in the industry. The draft bill, which calls for the setting up of a separate Broadcast Regulatory Authority of India (Brai), has covered four major areas in its ambit, which would call for major corporate restructuring by media companies, foreign and domestic, operating in India. These include content, cross media ownership, subscriptions and live sports feeds (which are already part of the downlink norms).

    Some of the key recommendations as per the draft bill:

    * The bill introduces restrictions on cross media holdings in all electronic ventures capping it a maximum 20 per cent. While print media companies have not been included in the ambit of the bill for the present, this could be later extended to them as well.

    On restrictions on accumulation of interest, the draft bill states, “The Central government shall have the authority to prescribe such eligibility conditions and condition with regard to accumulation of interest in the print and broadcast segments as may be considered necessary from time to time to prevent monopolies across different t segments of the media.”

    What this means is that a broadcaster like Star, for instance, can have a maximum 20 per cent stake in an FM radio venture or a multi system operator.

    The immediate fallout of such a bill becoming law would be that Star, which has a 26 per cent holding in the Rajan Raheja-promoted Hathway Cable & Datacom MSO, would have to bring down its stake by 6 per cent.

    It seems that the demerger that took place in Zee Telefilms could prove to be beneficial for the company. Down South, the Sun TV group would also have to restrict its interest in cable distribution companies like Sumangli.

    In this regard, the draft bill states, “No broadcasting network service provider and its associated companies shall have more than 20 per cent share of paid up equity or have any other financing or commercial arrangement that may give it management control over the financial, management or editorial policies of any other broadcasting network service provider…”

    * No broadcasting service provider (television company) can hold more than 20 per cent equity in another TV company. Additionally, no TV company can own more than 15 per cent of the total number of television channels beaming in the country.

    “No content broadcasting service provider shall have more than the prescribed share of the total number of channels in a city or state, subject to overall ceiling of 15 pr cent for the whole country,” the draft states.

    * A broadcast network service provider (presumably multi system operator / cable operator) cannot have more than 15 per cent of the national average in regards to subscriber numbers.

    What this means, at the moment as an explanatory annexure are not available, is that if 60 million is the C&S national subscriber average, an MSO like Zee group’s SitiCable or the Hinduja-owned INCablenet or Sumangli, for example, cannot exceed 9 million paid subscribers in a city or a state.

    “No broadcasting network service provider shall have more than the prescribed of the total number of consumer/subscribers in city or a state subject to the overall ceiling of 15 per cent for the whole country,” the draft bill states.

    * TV channels on a mandatory basis would have to have a certain prescribed percentage of content produced locally and also carry socially relevant programmes.

    “The share of content produced in India shall not be less than 15 per cent of the total content of a channel broadcast during every week,” the draft bill states.

    It also goes on to state that the share of public service/socially relevant programme content shall not be less than 10 per cent of the total programme content of a channel broadcast during every week.

    This would mean that channels like Cartoon Network, Animax, Discovery, Animal Planet and Discovery Travel and Living would have to have a prescribed percentage of content generated from India, which has been a long-standing demand of Indian animators.

    *Cable Ops / MSOs to operate only on licence from Brai.

    This could well be the catalyst that brings in some order into the cable industry. At present, the only requirement for anyone wanting to start cable services is that he/she should fill in the prescribed form at any post office and pay the nominal fee.

    * Existing laws and guidelines relating to broadcasting, TV and radio, would subsume under this over-arching regulatory framework.

    This would mean that laws and guidelines relating to FM radio, DTH, community radio, uplink and downlink of channels and use of SNG/DSNG infrastructure would cease to exist and assimilate with the broadcast law.

    The Broadcasting Services Regulation Bill 2006 is presently being circulated among members of the Union Cabinet. Depending on the Cabinet direction, the bill is scheduled to be tabled during the Monsoon Session of Parliament.

    TV and cable companies refused to comment on the draft proposals today, saying they are yet to see the government paper, which needs to be studied in detail.

  • Alfred Haber Distribution to distribute ‘Vanity Insanity’ worldwide

    Alfred Haber Distribution to distribute ‘Vanity Insanity’ worldwide

    MUMBAI: Alfred Haber Distribution, Inc. (AHDI) has announced that it has been selected as the exclusive worldwide distributor (excluding Canada) of Insight Film Studios’ docu-reality series Vanity Insanity. This 26 half-hour series tells the tale of real individuals attempting to transform their lives by altering their appearances.

    Hosted by R & B artist Deborah Cox and shot in HDTV, each episode features accounts of body modification, cosmetic surgery and image exaggeration, thus exposing the growing obsession with looking good at all costs.

    According to an official release, every week a different aspect of the industry is examined, providing a graphic, but accurate portrayal of the worldwide addiction to the “beauty revolution.”

    Filmed throughout North America, Mexico and Brazil, the series highlights true stories that include, Tattoo You, an look at full body and face tattoos, Bald R Us, the painstaking – and expensive – search for a full head of hair, The Singing Doctor, about a surgeon who provides clients with the opportunity to sound like they did in their prime and Julie Rubinzer, the story of a young woman who went in for a breast augmentation upgrade from which she never woke up; another cautionary tale that reinforces the fact that there is no such thing as “routine surgery,” adds the release.

    The founder of Alfred Haber Distribution, Inc., Alfred Haber said, “Three months ago Vanity Insanity debuted on Canada’s Global Television Network to remarkable ratings going up against the ubiquitous American Idol. We immediately sought out the producers, developed our marketing strategy, and signed the deal.”

    “With over 12 million procedures performed last year in North America alone, I am confident that Vanity Insanity will be an incredibly strong series both domestically and internationally,” he adds.