Hindi
Kapoor & Sons full of good performances, but will World T20 mar its box office?
MUMBAI: Kapoor& Sons is a family drama. One can slot it as a contemporary family drama extending to three generations. The title of the film does not quite convey the theme as it unfolds on the screen. It is about a dysfunctional family where just about everybody is at crossroads and has a reason to grudge the other, except the fun-loving patriarch, Rishi Kapoor.
Rishi Kapoor, an ex-army man, has settled in the picturesque hill station of Coonoor in the South with his elder son, Rajat Kapoor, and daughter in law, Ratna Pathak. On the verge of his 90th birthday, Rishi Kapoor wishes that his two grandsons, Fawad Khan and Sidharth Malhotra join him. While, Fawad is a successful writer based in London, Sidharth tends a bar in New Jersey while also aspiring to be a writer. This also sort of establishes that the two brothers are poles apart.
Fawad is Mr Proper and organized, Sidharth is a drifter who can’t stick to one task. He lives an uncharted life. Both plan to land in India at about the same time and head to Coonoor. Rishi Kapoor has this habit of faking his death. But, when the brothers reach, Rishi Kapoor is actually admitted into a hospital having suffered a heart attack. He is heavily made-up to look 90, and that takes some time accepting for a viewer.
As you go along, you see the difference in the way the brothers are treated, especially by Ratna and Rajat; Fawad gets most of the attention and priority in everything. Sidharth catches up with an old friend and, through him, meets Alia Bhatt. Alia is an orphan having lost both her parents in a plane crash. She is in Coonoor to deal with her family property. Fawad visits her property and meets Alia. Out on a dinner date with Fawad, Alia ends up kissing him. However, she spends most of her time with Sidharth and finds his company more comforting.
Sidharth and Alia exchange notes and he tells her about how the manuscript of his book resembled Fawad’s bestseller. He is not ready to believe this was a coincidence. The gap widens between brothers when Alia confesses to kissing Fawad.
In this family, the brothers are not the only ones at war. Rajat and Ratna are always at loggerheads too. Rajat’s business is in doldrums and he has added to the problems by getting involved with another woman. Everything comes together to spoil the 90th birthday celebrations of the patriarch. Kapoor may be 90 but his interest in women is intact and his pinup girl is Mandakini under a waterfall in film Ram Teri Ganga Maili. He relishes sweets, which he is barred from, porn films and an occasional puff of pot.
When the skeletons start coming out of the closet, it creates rifts between brothers, mother and ends up costing the life of one.
Kapoor& Sons breezes through its first half, but the attempt to cram too much into the second half makes it heavy as well as jerky, as attention shifts from one character to another. There is a sort of happy ending as the family comes together once again on Kapoor’s request but it is not all that happy a moment as Kapoor has not only lost a family member, but also his verve and humour.
The film gives the feeling of being stretched. Except for Kapoor’s earlier exploits, there is little to entertain. Besides, music too does not help. The romance is kind of there and not there. ShakunBatra’s direction is generally good as he tries to keep this a real life kind of narration. The dialogue is effective. Shot on lush Coonoor locations, visually the film is pleasing.
Actually, this film is all about performances. While all the actors playing the main characters excel, Fawad gets the best part to play, which adds to his fan following. Rishi Kapoor, being the only one providing light moments, is very good. Sidharth, Alia, Rajat and Ratna too do well.
Kapoor & Sons is a slow starter. Its appeal will be limited to a certain section of audience with single screen patrons ruled out. World T20 is bound to affect its prospects, especially during India Pakistan tie on 19th.
Producers: HirooYashJohar, Karan Johar.
Director: ShakunBatra
Cast: Rishi Kapoor, Sidharth Malhotra, Alia Bhatt, Fawad Khan, Ratna Pathak, Rajat Kapoor.
Hindi
Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil
Strong word-of-mouth turns Pongal satire into remake pick
MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.
Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.
Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.
Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.
By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.
For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.
Hindi
Fans take centre stage as Zee Cine awards turns the spotlight around
MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.
The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.
The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.
Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.
The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.
Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.
Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.
As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.
Hindi
Prime Video to stream Don’t Be Shy, produced by Alia Bhatt
MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.
Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.
The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.
Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.
For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.
With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.
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