GECs
APOS 2016: Decoding APAC’s digital video and TV future
BALI: The stage is set for a crackling APOS 2016 in Bali. The annual do organized by Vivek Couto’s Media Partners Asia got off to a flying start this evening with the opening and welcome reception hosted by Disney.
It was held on the lawns of the Ayana Resort in the Jimbaran district of Bali. The mood was perfect: the skies perfectly clear and the breeze gentle, unlike one of the years earlier when rain disrupted the proceedings. The beer, fruit juices and cocktails flowed freely as Asia Pacific’s TV and digital industry professionals hobnobbed with each other.
The attendance was stellar: distribution executives, owners & promoters, CEOs, APAC heads, from the broadcast, cable, satellite sides of the business were all there. HBO Asia head Jonathan Spinks, the new Netflix vice president business development Asia Tony Zameczkwoski, Vice’s iconoclast co-founder & CEO Shane Smith, Walt Disney Co SEVP and chief strategy officer Kevin Mayer, Fox Networks Group Asia President Zubin Gandevia, SES Asia senior VP commercial Deepak Mathur, TV5 Asia director Alexandre Muller, were among the familiar faces from the APAC region. and elsewhere.
Among the Indian big names who showed up included: Zee Entertainment international head Amit Goenka was seen with his international team of Rajeev Kheror and Mukund Cairae. Videocon d2h deputy CEO Rohit Jain, COO Himanshu Patil were seen chatting with partners. Indiacast’s Anuj Gandhi was seen hobnobbing with executives from the region. Times Network was represented by international business head Naveen Chandra. For some the festivities continued late into the night as they headed to various restaurants and warungs across Bali for some of the delicious Balinese food.
APOS 2016 is markedly different this time because of the focus on different countries. Australia, China, India, Korea and Japan have special sessions that will look at unraveling the opportunity in each of these markets.
Global media leaders have sessions on their own. Whether it is Shine Endemol’s Sophie Turner Laing, or Netflix’s Reed Hastings and Ted Sarandos, Disney’s Kevin Mayer or A&E Networks EVP & CFO David Granville-Smith or Kudelski Group chairman & CEO Andre Kudelski or Viacom International Media Networks President & CEO Bob Bakish, or Emerald Media CEO Paul Aiello – they have all turned up to attend, hear, network and speak. One noteworthy absence is Dreamworks’ Jeffery Katzenberg who has not been able to make it for personal reasons.
Of course, as most of MPA’s gigs are vaunt to be, APOS 2016 has oodles of investment banks, private equity firm executives all lined up to give their perspective on video distribution opportunities in the Asia Pacific market and in which territories and businesses they are willing to invest in. Among the notable names here: Evolution Media Capital’s founder & co managing partner Rick Hess, CAA head of global client strategy Brian Weinstein, CMC Capital Partners chairman & founding partner Li Ruigang and MD Alex Chen, Providence Equity Partners Head of Asia Bis Subramanian, and senior advisor Tony Ball, Jungle Ventures managing partner David Gowdey, Paul Aiello, iflix group advisor David Goldstein, and Raine Ventures managing partner Godron Rubenstein.
Several operational heads from the US, Europe and Asia who have their teeth in the business are also speaking. Among these: Discovery Networks Asia Pacific president & CEO Arthur Bastings, PCCW Media group MD Janice Lee, A+E Networks president international & digital media Sean Cohan, Optus CEO Allen Lew, Cartoon Network president & general manager Christina Miller, Taiwan Broadband executive vice-chairman Thomas EE, CJ E&M media content business president DJ Lee,
Additionally, the two days of the conference are peppered with digital video discussions considering that OTT and digital VOD services are exploding in the region, including in India.
The India session looks appealing especially considering the rollout of digitization in India cable and satellite TV. Star India managing director Sanjay Gupta, Reliance Industries’ independent director o the board Adil Zainulbhai, Tata Sky MD Harit Nagpal and Viacom18 Media Group CEO Sudhanshu Vats slated to give their perspectives.
Indiantelevision.com will be reporting from Bali to give you updates that are relevant to the Indian distribution ecosystem – right from cable TV to DTH to OTT platforms to content creation. So stay tuned
GECs
Sun TV posts steady revenue, profit dips amid rising costs
CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.
For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.
The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.
Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.
The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.
Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).
The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.
The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.
To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.
With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
GECs
SPNI hires Pradeep M with responsibility for standards and practices in the south
MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.
Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.
He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.
Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.
His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.
As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.
GECs
Colors Gujarati rolls out two new shows from 2nd February
MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.
Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.
In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.
A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.
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