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Babumoshai Bandookbaaz… Aimless

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Babumoshai Bandookbaaz is another film glorifying the local criminal of the Hindi belt. That they don’t work is a fact, though it fails to deter more such makers. What is worse, the makers don’t care about the time period when the film was based. It jumps at will from 1970s when Kishore Kumar songs ruled the roost on the radio to mobile phone era.

The babumoshai, a Bengali term of respect while addressing someone, will always remain a mystery in the title of the film which is based in UP!

The character of Nawazuddin Siddiqui is a sharpshooter, a supari killer, somewhere in UP working for a woman politician, played by Divya Dutta, spewing paan spit and foul words as her trademark. She assigns him to eliminate her detractors as and when required. Nawazuddin kills people at will, roams around freely in town and walks off to his hidden, far away abode. It seems, he makes it a point to kill his targets when witnesses are around.

While Divya assigns killings to Nawazuddin, her two henchmen envy him. So, there are perpetual undercurrents of backstabbing and betrayals.

Made to change sides, now Nawazuddin is engaged by another politician, a rival to Divya. Meanwhile, Nawazuddin has met and fallen in love with the character of Bidita Das, who mends footwear but is never shy of using her instruments of trade on men who act funny. Bidita and Nawazuddin hit it off and a sex affair starts (no, it is not a love affair).

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You realize that Nawazuddin is a legend in his field when he comes across his fan claiming to be his disciple, Jatin Goswami, who has turned into a shooter inspired by the stories of Nawazuddin’s exploits. Now, there are multiple angles. You don’t know who are the friends and who are the enemies. Killings take place as a sport. Everybody is betraying the other at whim.

Babumoshai Bandookbaaz is a hackneyed film with no head or tail. It does not even have a single theme. Somebody points a gun, at times pulls a trigger and does not at other times! It tries to vend some ‘steamy’ kissing scenes and sex, as if they were just invented, to poor effect. Also, the film may be about sharpshooters but the bullets they spray rarely ever hit the target!

The film lacks on scripting, has poor direction and is a let down on all counts. Nawazuddin has an ill-defined role and he only seems to be in a hurry to end his newfound success, with this film coming soon after Munna Michael, where he did a role not meant for him. Bidita Das can’t act. Divya Dutta and the rest are ineffective.

Babumoshai Bandookbaaz is a sham of a movie.

Producers: Kiran Shyam Shroff, Ashmith Kunder, Kushan Nandy.

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Director: Kushan Nandy.

Cast: Nawazuddin Siddiqui, Bidita Das, Divya Dutta, Jatin Goswami, Murli Sharma and Anil George.

Hindi

Fans Take Centre Stage as Zee Cine Awards Turns the Spotlight Around

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MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.

The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.

The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.

Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.

The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.

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Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.

Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.

As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.

 

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

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For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26

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MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.

The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.

Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.

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