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Poster Boys: Old-fashioned entertainer

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Poster Boys is a remake of the 2014 Marathi film, Poshter Boyz. A comedy, the film also carries a social message for men to go for vasectomy as there was no shame in doing so while also not forcing only women to take that responsibility.

The characters played by Sunny Deol, Bobby Deol and Shreyas Talpade are three individuals from different walks of life.

Sunny is an ex-army man and a ‘chaudhary,’ the head of the house and much respected in the locality. Bobby, a schoolteacher, is a henpecked husband and a father of two daughters. Bobby’s wife is known to throw tantrums at the end of which walks off to her ‘maika.’ So much so that the driver and conductor on the bus to her village are also familiar with the couple.

The role played by Shreyas is a footloose young man, using strong-arm tactics working as a loan recovery agent along with his two childhood friends. Shreyas is in love with a girl and plans to marry her.

Sunny is preparing for his sister’s engagement ceremony but when it is time for the groom and his family, he is told that the match is off and the groom’s family did want to have anything more with Sunny’s family. However, no explanation is forthcoming.

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Similarly, Shreyas’s match is vetoed by the girl’s father but he won’t explain why.

Bobby faces his usual problem, his wife walks out on him for devising a way to destroy their hope for a son. Bobby is at sea about what she means.

The three are out when, one by one, they face the cause of their problem and ostracisation by people. They see posted behind a state transport bus a poster with three of them modelling for vasectomy/nasbandi and advocating its virtues. The place the trio comes from, it is like sacrilege, something akin to losing one’s manhood! The trio becomes a butt of jokes and ridicule.

Of the three, Sunny is the mighty one but opts for peace and logic most of the time; Shreyas is aggressive and ready to fight while Bobby is the shy, xxx kind. The three, on Sunny’s say-so, decide to go to the root of this problem as to how and why their pictures were used, and who is responsible.

They realize that, in the era of digital cameras, their zest for selfies and posing for pictures has been misused.

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The film is a frame-to-frame remake of its Marathi version, and has a script that cares more for gags. Some characters could have been avoided or given limited footage.

Direction is fair as Shreyas makes his directorial debut but follows the original to the T. Dialogue and gags are the lifeline and have an impact at places.

The film has one song by Daler Mehndi from Sunny Deol’s 1999 film, Arjun, that works. The production value is shoddy.

As for performances, Sunny is restrained and effective. Bobby is awkward at times but that goes with his character. Shreyas has the author -backed role of an extrovert and caters to the gallery.

Poster Boys is an average entertainer. Having opened below par, it has the weekend to cash in on. The prospects thereafter hold limited hope.

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Director: Shreyas Talpade.

Cast: Sunny Deol, Bobby Deol, Shreyas Talpde, Samiksha Bhatnagar,Murli Sharma, Dilip Prabhavalkar, Bharti Achrekar and Randheer Rai.

Hindi

Fans Take Centre Stage as Zee Cine Awards Turns the Spotlight Around

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MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.

The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.

The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.

Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.

The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.

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Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.

Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.

As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.

 

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Hindi

Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

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For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26

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MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.

The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.

Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.

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