MAM
OML launches a new talent management division to manage writers and directors – signs 6 new talents
MUMBAI: OML, the global artist first company, has defined a new entertainment culture in the country by launching and bringing to fore amazing new talent, be it in the content space, comedy, live entertainment, music or dance. The company has now launched a new talent management division to manage Writers and Directors and has signed up 6 remarkable talents (Debbie Rao, Dibya Chatterjee, Sidin Vadukut, Shantanu Anam, Janice Sequeria, Girish Narayandass ) as a part of this venture. OML will not only manage these talents but will also collaborate with them by continuing to successfully develop new series (scripted and unscripted).
Dhruv Sheth, Managing Partner and Business Head, Content and Talent Management, OML, said “OML as a company has always nurtured and empowered talent. After creating over 200 hours of original content in the last 24 months with more than 50 creators, including some amazing writers and directors, the logical next step for us was to start managing the remarkable talent behind these shows. Today more than ever before, content is king and these amazing content creators are in great demand. With our talent management strengths built over the last 15 years, we will not only help them leverage this demand by providing high quality management services to them but also partner with them to create cutting edge content for consumers in India and across the globe.”
The 6 new talents signed by OML are: –
Debbie Rao – Debbie Rao is a director based out of Mumbai with over 15 years of experience in the entertainment industry. She is the director of ‘Pushpavalli’ on Amazon Prime Video, a comedy drama and ‘Better life Foundation’, a workplace comedy show, on Hotstar. She previously has worked with MTV and Trouble Maker Studio under directors David Polycarp and Vasant Valsan.
Dibya Chatterjee- A writer and director, Dibya is a holistic film maker who has a penchant to tell stories that are slightly unusual in nature. Apart from directing several ad films, documentaries and digital films, Dibya also served as the Executive Producer for the Bengali Feature Film – ‘Aamar Aami’ (2014). He is the writer and co-creator of the Indian Dark comedy show ‘Afsos’ to be available soon on a streaming platform.
Sidin Vadukut – Sidin Vadukut is a columnist, an author, a blogger and an academic. He has an engineering degree from NIT Trichy and an MBA from IIM Ahmedabad and is currently pursuing a PhD in the discipline of History in London. In a career spanning over a decade he has made automotive parts, developed online trading platforms, been an editor with the business newspaper Mint and written a number of books – The Dork Trilogy, Sceptical Patriot and Bombay Fever.
Shantanu Anam – Shantanu learnt fairly early on that it is imperative to hyphenate one’s career. Hence, he considers himself an actor-writer -director. Having worked as an actor-writer on stage in about 25 productions, it was a natural step to move towards another medium. Apart from acting in it, he also wrote on and associate-directed the web series ‘Baked’, that was one of the first web shows to go viral in India. Following that, he spent a year studying Method acting at Lee Strassberg in Los Angeles, followed by a two-year Masters in Screenwriting at Syracuse University. After moving back from the US, Shantanu is now the head writer on this year’s biggest Hotstar Special ' The Plot' that releases this October and also on another Arre Studio Show titled ' Chaos'. Shantanu also will direct the show Chaos. Apart from writing long format shows, he worked as a writer with All India Bakchod and has written & directed sketches for leading digital platforms like LBB and Arre.
Janice Sequeria – Janice Sequeira is a creator and host with 9 years of Broadcast Television experience and has been the country’s youngest Entertainment Editor at 26 (Times Now). She has been a part of multiple red carpets in the last decade such as Filmfare, IIFA, TOIFA, HT Style Awards to name a few. Her show Social Media Star with Janice celebrates 2 seasons of interviews with a sterling line-up of celebrities and social media personalities.
Girish Narayandass – Girish Narayandas is a writer/director based out of Mumbai with over 10 years of experience. His last full-time role was that of 'Head Writer at AIB'. As a writer and director, he's been behind some of the most popular AIB videos like Honest Campus Placements, The Demonetisation Circus, Harassment Through the Ages and Creep Qawwali. Before joining AIB, he worked as a copywriter and Creative Director in leading ad agencies where he headed major ad campaigns for brands such as Godrej Cinthol, Parle Agro, MTS, Cafe Coffee Day and Filmfare Magazine. When he's not writing sketches and branded content, he loves avoiding emails and writing bios in third person.
Brands
JioStar absorbs IndiaCast to streamline distribution
Merger creates one-stop hub for content, digital, and delivery
MUMBAI: In a move that proves JioStar isn’t just playing for the screen but for the entire stadium, the media behemoth has announced it is officially folding its distribution wing, IndiaCast, into the main mothership.
After the dust settled on the colossal Reliance-Disney marriage, the house that Mukesh built is tidying up the furniture. By absorbing IndiaCast, JioStar is effectively cutting out the middleman by becoming its own delivery boy.
IndiaCast has long handled the distribution of channel packs like Colors and MTV to cable and DTH operators. Now, instead of working as a separate company, it will be fully merged into its parent, JioStar.
The strategy is simple: less paperwork and more control. By merging under a fast-track scheme, the company is removing extra legal steps and administrative work that come with running two separate entities.
For viewers, the change may not be immediately visible, but behind the scenes it creates a one-stop shop for Indian entertainment. JioStar now controls the entire chain: it owns the content through channels like Star Plus and Colors, the digital platform through JioHotstar, and the distribution pipeline after absorbing IndiaCast, bringing everything under one roof.
According to regulatory filings, the merger is retrospective, dating back to April 2025. IndiaCast will eventually be dissolved without the messy drama of a formal winding-up. For the employees and assets, it is a same desk, different letterhead situation as everything transfers to the JioStar banner.
It is a classic bit of corporate housekeeping that ensures the new media kingpin is lean, mean, and ready to dominate your living room.
MAM
Why the Best Campaigns Today Start With Insights, Not Ideas
MUMBAI: For decades, creative storytelling has been the cornerstone of brand communication. The “big idea” amplified through catchy jingles, striking visuals, and memorable hooks was once the gold standard for relevance and recall. Creativity defined presence, and the loudest, boldest campaigns often won attention.
But the marketing landscape today looks very different.
Audiences are more exposed, more discerning, and far less patient. They are inundated with messages across platforms, formats, and creators, often encountering hundreds of brand touchpoints in a single day. In this environment, creativity alone especially when untethered from real consumer truths is no longer enough to move behaviour. Great ideas are abundant. Meaningful impact is not.
This is where insights matter.
The difference may seem subtle, but it is fundamental. An idea represents what a brand wants to say. An insight reflects what the audience is already thinking, feeling, or experiencing. The most effective campaigns emerge not from cleverness alone, but from the intersection of these two forces.
From creativity to relevance
As the marketing ecosystem becomes increasingly saturated, consumers are growing immune to inflated claims and surface-level storytelling. Even beautifully crafted campaigns can fail if they are disconnected from lived realities. The gap between a brand’s internal enthusiasm and the audience’s actual sentiment can be the difference between attention and indifference.
Insights help bridge this gap. They force brands to pause, listen, and observe to understand emotions, behaviours, cultural contexts, and contradictions. Instead of trying to be remembered through louder branding, insight-led campaigns allow audiences to see their own experiences reflected back at them. When a campaign articulates a problem that feels personal, relevance is created. Trust follows.
Insight is interpretation, not information
It’s important to distinguish between data and insight. Data tells us what is happening. Insight explains why it is happening. While data is measurable and structured, insights are interpretive and dynamic, shaped by real-time sentiment and human behaviour.
Modern consumers are full of contradictions. They demand authenticity while remaining deeply aspirational. They want brands to take a stand but expect nuance, not instruction. They seek transparency, yet are drawn to curated narratives. These tensions are not obstacles, they are opportunities. When understood correctly, they can shape communication that feels timely, credible, and human.
Some of the most effective campaigns today are born not in isolated brainstorm rooms, but through listening to audiences, creators, editors, online communities, and cultural signals. Insights often exist in blurred patterns, but once identified, they can redefine how a brand connects.
A recent campaign we executed for Domino’s illustrates this shift clearly. The brief wasn’t to make a pizza look bigger or louder. Instead, it was rooted in a simple behavioural truth: in Tier 2 and Tier 3 markets, sharing food is an emotional act tied to family, celebration, and value perception. The “Big Big 6-in-1 Pizza” became a canvas for this insight. The campaign leaned into regional voices and real sharing moments, allowing people to show how they experienced the product rather than being told why they should buy it. Influencers and celebrities amplified genuine usage, not scripted endorsements. The impact from engagement to footfall to sales came not from a clever idea, but from understanding how people relate to food in their everyday lives.
Shifting the starting point
Today’s consumer landscape demands a shift in perspective from “What should the brand say?” to “What does the audience need to hear right now?” This marks a move away from inward-led marketing toward communication shaped by behaviour, emotion, and cultural relevance.
Brands leading today are keen observers. They notice when perfection stops resonating. They sense when luxury shifts from aspiration to excess. They recognise when influencer content begins to feel repetitive and trust erodes.
Virality, too, is often misunderstood. It is not a strategy to chase, but an outcome. Campaigns rooted in insight do not aim to go viral; they aim to resonate. When content reflects something familiar, a shared truth, emotion, or tension, it travels organically because people see themselves in it.
Ideas attract attention. Insights build connection.
The evolving role of PR
For PR professionals, this shift has redefined success. Coverage volume alone no longer tells the full story. The more meaningful questions today are: Did the communication influence behaviour? Did it align with cultural conversations? Did it address a real consumer pain point?
Insight-first thinking allows these questions to be answered at the planning stage, rather than corrected midway through execution.
In a world where formats and platforms will continue to evolve, what remains constant is the power of authentic communication. The strongest campaigns today do not begin with a brainstorm, but with observation, interpretation, and empathy. That is not just better marketing, it is more responsible, resilient, and meaningful brand-building.
Brands
Ahmad Muneeb elevated to VP – HR centre of excellence at Zepto
MUMBAI: Zepto has elevated Ahmad Muneeb to vice president – HR centre of excellence, placing him at the helm of the company’s total rewards, executive compensation and organisational effectiveness as the quick-commerce firm powers through a high-growth phase.
The move follows his stint as senior director of the HR COE, where he played a central role in preparing the company for IPO readiness while scaling its people analytics capabilities. During this period, Muneeb helped align complex performance management structures with more streamlined and scalable employee experience frameworks.
In his new role, he will steer the design of total rewards strategies, executive compensation planning and organisational design, while also overseeing performance management, employee experience initiatives and people analytics programmes.
Before joining Zepto, Muneeb spent nearly three years at Meesho, where he held multiple rewards and HR business partner roles. Earlier in his career, he worked as a senior rewards consultant at Mercer, advising high-tech clients on compensation benchmarking, pay structures and talent-focused reward frameworks.
He began his hr journey at Cognizant, where he supported compensation programmes for nearly two lakh employees across India and worked on m&a compensation alignment and skill-based pay initiatives. Prior to moving into HR, Muneeb started his career as a software engineer at Netcracker, bringing a technical grounding to his people strategy work.
With a mix of consulting rigour, start-up agility and enterprise-scale experience, Muneeb’s elevation signals Zepto’s continued focus on building robust people systems as it races towards its next phase of growth.
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