MAM

FCB India’s Rohit Ohri’s advertising mantras

Published

5 years ago

September 14, 2020

NEW DELHI: FCB India group chairman & CEO Rohit Ohri doesn’t need a long introduction. An ad veteran, with years of experience in the trenches, he has earned respect and his stripes over the past three decades.

Hence, when he got together with Indiantelevision.com founder CEO & editor-in-chief Anil Wanvar over in a virtual fireside chat on Saturday when the rest of the industry was putting its legs up, resting, one expected some interesting insights. And boy! did he provide them.

For instance, he revealed that he is not a great votary of working from home (WFH), which has become the norm now. He has accepted it as a necessity but is raring to get back to the office.

“I come from the pretty old school of advertising, and WFH is much harder because you’re doing so many things altogether,” he said. “Advertising is a people business. Yes, virtual meetings are good, we are getting more work done, and are saving on travel time. But the business of advertising requires ideas, which we get in casual interactions and in the face to face meetings and even in having fun. That constant interaction is essential to get the creative juices flowing more. I can't wait to get back.”

He, however, admitted that the past few months of lockdown and WFH have allowed him the opportunity to get involved in the larger set of business needs. Plus it has lent to a cleaning up of the environment something that millennials have really appreciated. “Nature is telling us it is possible to clean up your act and this realization has made an impact among people,” he revealed.

Read our coverage on FCB

Ohri shared that he has learned all about advertising from his first boss Kolkata-based Response Advertising’s Ram Ray who passed away in November 2019.

“His skills, his passion, his attention for detail was impeccable, his eye for detail are qualities that I have never seen in many ad professionals,” he expounded. "Ray used to write letters to clients and employees, one of the best lessons I learned in business communication. He always had said if you don’t pay attention to your own brand and if the client sees shoddy communication how will you handle them? Ray took me under his wings, and I learned so many things.”

Ohri firmly asserted, as leaders of companies and organizations it’s our responsibility to mentor the next generation and leave a rich legacy.

According to him, Ogilvy’s Piyush Pandey brought about a change in the way creative brand advertising can be used to build organisations just like he did for Pidilite.

Read our coverage on Rohit Ohri

But he was also very clear that he lets FCB’s advertising output do the talking rather than sounding a bugle about its creative prowess. “I don't believe in the flamboyance of agencies at all, the flamboyance should be the brands,” he emphasised. “In my head, what work we do, and the best rewards are when the brands do well in the market. In my book, there’s no other flamboyance required. It is genetically against the way FCB is as an organization. We believe in solid partnership with clients.”

He believes that an agency’s role has evolved to become more of a marketing solutions provider. “It’s not just about advertising. It goes way beyond helping them solve any marketing problems. This is something FCB is known for since Anil Kapoor’s days,” he pointed. For instance, the decision to air old Amul commercials during Ramayan and Mahabharat on Doordarshan was something that both the FCB and the Amul team reached. “It was a nostalgic journey into the Amul history,” Ohri explained. ”And on many levels, AmulDoodhPeetaHaiIndia will go down in marketing history because of the way the brand behaved during this crisis. It built a new bond with the whole set of consumers. There was not a day when Amul Milk was off the shelves even during the lockdown. Even with consumers, it brought back the nostalgia, and everybody felt connected with the brand.”

Ohri shared that he is cautiously optimistic about the advertising industry’s propsects going forward. “We have a global freeze on recruitments or increments, everyone is holding together in these difficult times. But the good news is that clients are coming back and there’s a lot of pent up demand,” he revealed. “FMCG, automotive, white goods are a few categories that have seen improvements.

He pointed out that there’s a clear pathway that he has charted out for the FCB group (which includes FCB Ulka, FCB Interface, Lodestar UM, FCB Digital, and FCB Cogito). “We are not in the binge acquisitions game,” he said. “We work with partners to provide services to our clients who are satisfied with what we have to offer. That's the path we will continue to tread. Additionally, we have brought all our digital offerings in-house under the main agency. I believe that way we can work holistically together to offer clients a comprehensive solution.”

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Brands

Netflix India names Rekha Rane director of films and series marketing

Streaming giant bets on a seasoned marketer who helped build Amazon and Netflix into household names

Published

5 days ago

February 9, 2026

indiantelevision.com Team

MUMBAI: Netflix has put a proven brand builder at the helm of its films and series marketing in India, naming Rekha Rane as director in a move that signals sharper focus on audience growth and cultural cut-through in one of its most hotly contested markets.

Rane steps into the role after seven years at Netflix, where she has quietly shaped how the platform sells stories to India. Her latest promotion, effective February 2026, crowns a run that spans brand, slate and product marketing across originals, licensed content and new verticals such as games.

A strategic marketing and communications professional with roughly 15 years’ experience, Rane has spent much of her career building technology-led consumer businesses and new categories, notably e-commerce and subscription video on demand. She was part of the early push that introduced Amazon.in, Prime Video and Netflix to Indian homes, then helped turn them into everyday brands.

At Netflix, she most recently served as head of brand and slate marketing for India from March 2024 to February 2026, leading teams across media and marketing for global and local content portfolios. Before that, as manager for original films and series marketing, she led IP creation and go-to-market strategy for titles including Guns and Gulaabs, Kaala Paani, The Railway Men* and The Great Indian Kapil Show, spanning both binge and weekly-release formats.

Her earlier Netflix roles covered product discovery and promotion in India and integrated campaign strategy to drive conversations around the content slate, product awareness and brand-equity metrics.

Before Netflix, Rane logged more than three years at Amazon in brand marketing roles in Bengaluru. There she handled national and regional campaigns for Amazon.in, worked on customer assistance programmes in growth geographies and contributed to the go-to-market strategy for the launch of Prime Video India.

Her career began well away from streaming. At Reliance Brands in Mumbai, she worked on retail marketing for Diesel and Superdry. A stint at Leo Burnett saw her work on primary research for P&G Tide, mapping Indian shoppers’ paths to purchase. Earlier still, at Orange in the United Kingdom, she rose from sales assistant to store manager, running a team and owning monthly P&L for a retail outlet.

The arc is telling. As global streamers fight for attention in a crowded Indian market, executives who understand both mass retail behaviour and digital habit-building are prized. Rane’s career sits at that intersection.

For Netflix, the bet is simple: in a market spoilt for choice, sharp marketing can still tilt the screen. And with Rane now leading the charge, the streamer is signalling it wants not just viewers, but fandom.

Brands

Orient Beverages pops the fizz with steady Q3 gains and rising profits

Kolkata-based beverage maker reports stronger revenues and profits for December quarter.

Published

5 days ago

February 9, 2026

indiantelevision.com Team

MUMBAI: A fizzy quarter with a steady aftertaste that’s how Orient Beverages Limited, the company that manufactures and distributes packaged drinking water under the brand name Bisleri closed the December 2025 period, as the Kolkata-based drinks maker reported improved revenues and a healthy rise in profits, signalling operational stability in a competitive beverage market.

For the quarter ended December 31, 2025, Orient Beverages posted standalone revenue from operations of Rs 39.98 crore, up from Rs 36.42 crore in the previous quarter and Rs 33.53 crore in the same quarter last year. Total income for the quarter stood at Rs 42.24 crore, reflecting consistent demand and stable pricing across its beverage portfolio.

Profit before tax for the quarter came in at Rs 3.47 crore, a sharp improvement from Rs 1.31 crore in the September quarter and Rs 0.39 crore a year ago. After accounting for tax expenses of Rs 0.79 crore, the company reported a net profit of Rs 2.68 crore, nearly three times the Rs 0.99 crore recorded in the preceding quarter.

On a nine-month basis, the momentum remained intact. Revenue from operations for the period ended December 31, 2025 rose to Rs 117.66 crore, compared with Rs 106.95 crore in the corresponding period last year. Net profit for the nine months climbed to Rs 5.51 crore, more than double the Rs 2.18 crore reported in the same period of the previous financial year.

The consolidated numbers told a similar story. For the December quarter, consolidated revenue from operations stood at Rs 45.06 crore, while profit after tax came in at Rs 2.06 crore. For the nine-month period, consolidated revenue touched Rs 133.57 crore, with net profit of Rs 4.49 crore, underscoring the group’s improving profitability trajectory.

Operating expenses remained largely controlled, with cost of materials, employee benefits and other expenses broadly aligned with revenue growth. The company continued to operate within a single reportable segment beverages simplifying its cost structure and reporting framework.

The unaudited financial results were reviewed by the Audit Committee and approved by the Board of Directors at its meeting held on 7 February 2026. Statutory auditors carried out a limited review and reported no material misstatements in the results.

In a market where margins are often squeezed by input costs and competition, Orient Beverages’ latest numbers suggest the company has found a reliable rhythm not explosive, but steady enough to keep the fizz alive.

MAM

Washington Post CEO exits abruptly after newsroom cuts spark backlash

Leadership change follows layoffs, protests and a bruising battle over trust.

Published

5 days ago

February 9, 2026

indiantelevision.com Team

MUMBAI: When the presses are rolling but patience runs out, even the editor’s chair isn’t safe. The Washington Post announced on Saturday that its chief executive and publisher Will Lewis is stepping down with immediate effect, bringing a sudden end to a turbulent two-year tenure marked by financial strain, newsroom unrest and public backlash.

Lewis’s exit comes just days after the Bezos-owned newspaper announced sweeping job cuts that triggered protests outside its Washington headquarters and a wave of anger from readers and staff. While newspapers across the US are grappling with shrinking revenues and digital disruption, Lewis’s leadership had increasingly come under fire for how those pressures were handled.

The Post confirmed that Jeff D’Onofrio, a former Tumblr CEO who joined the organisation last year as chief financial officer, has taken over as CEO and publisher, effective immediately. In an email to staff, later shared by reporters on social media, Lewis said it was “the right time for me to step aside.”

The leadership change follows the announcement of large-scale redundancies earlier this week. While the Post did not officially confirm numbers, The New York Times reported that around 300 of the paper’s roughly 800 journalists were laid off. Entire teams were dismantled, including the Post’s Middle East bureau and its Kyiv-based correspondent covering the war in Ukraine.

Sports, graphics and local reporting were sharply reduced, and the paper’s daily podcast, Post Reports, was suspended. On Thursday, hundreds of journalists and supporters gathered outside the Post’s downtown office in protest, calling the cuts a blow to public-interest journalism.

Former executive editor Marty Baron described the moment as “among the darkest days in the history of one of the world’s greatest news organisations.”

Lewis defended his record in his farewell note, saying “difficult decisions” were taken to secure the paper’s long-term future and protect its ability to publish “high-quality nonpartisan news”. But his tenure coincided with growing scrutiny of editorial independence at the Post.

Owner Jeff Bezos faced criticism for reining in the paper’s traditionally liberal editorial page and blocking an endorsement of Democratic presidential candidate Kamala Harris ahead of the 2024 US election. The move was widely seen as breaking the long-standing firewall between ownership and editorial decision-making.

According to a Wall Street Journal report, around 250,000 digital subscribers cancelled their subscriptions after the paper declined to endorse Harris. The Post reportedly lost about $100 million in 2024 as advertising and subscription revenues slid.

While the wider newspaper industry continues to battle declining print advertising and the pull of social media, some national titles have stabilised. Rivals such as The Wall Street Journal and The New York Times have managed to build sustainable digital businesses, a turnaround that has so far eluded the Post despite its billionaire backing.

As Jeff D’Onofrio steps into the role, the challenge is stark, restore confidence inside the newsroom, win back readers who walked away, and prove that one of America’s most storied newspapers can still find its footing in a brutally competitive media landscape.