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Chikoo and Bunty’s universal appeal will drive co-viewability for Nick: Anu Sikka

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Mumbai: Kids’ entertainment franchise Nickelodeon is all set for the launch of its 11th animated IP “Chikoo Aur Bunty.” Starting 18 October, the 11-minute episodic series will bring alive the epic sibling banter and the playful rivalry between them through the story of the two brothers Chikoo and Bunty, who live with their parents and a playful and intelligent dog Barfi. The channel has roped in Philips, Pediasure, and Flipkart shopsy as sponsors for the upcoming launch.

Nickelodeon witnessed a successful last year on the back of its tenth IP launch and the lockdowns boosting viewership for the kids category. The growth story continues unchallenged in 2021. Overall, the Nickelodeon franchise including Nick, Sonic, and Nick Jr. had the highest network share of 33 per cent over Disney’s (26) and Turner’s (17) and reach of 50 million over Turner (34) and Disney (32) as per Barc data (India U+R, 2-14 NCCS ABC, Week 14-38’21, 07-23hrs). According to Ormax Small Wonders, August 2021, five out of the top ten characters and eight of 20 belong to Nick.

Entering into the spooky comedy space, Nickelodeon came up with the animated series ‘Pinaki & Happy – The Bhoot Bandhus’ on Sonic in November 2020. The show which commands 30 per cent of Sonic’s viewership today was a runaway hit among kids, consistently appearing in the top 10 highest rated slots of the category every week since its launch.

On the advertising front, Nickelodeon claims to be the leader commanding a 35 per cent revenue share for FY21. The channel has seen a proliferation in the categories of advertisers coming on board, especially owing to the recent trend of co-viewership wherein kids are joined by young parents and other family members in watching animated shows. While FMCG continues to dominate the genre, e-commerce and F&B brands are also picking up in comparison. The overall kids’ category, though, continues to be under-indexed despite accounting for seven per cent of total TV viewership which had shot up to nine per cent during the pandemic.

Indiantelevision.com caught up with Viacom18, head – creative content and research for kids’ TV network, Anu Sikka to discuss her content strategy that has propelled Nick to success. 

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Creating new characters and stories

With shows such as ‘Happy & Pinaki – The Bhoot Bandhus’, ‘Ting Tong’, ‘Golmaal Jr.’, ‘Motu Patlu’, ‘Shiva’, ‘Rudra’ and others, Nickelodeon boasts 700+ hours of content and over 1500 episodes across genres including a slice of life, slapstick, magic, action-adventure, and spooky-comedy, among others. As a brand that recognises the importance of localised content that’s appealing to Indian kids, ‘Chikoo aur Bunty’ will be another addition to Nick’s shows in the slice of life genre where the concept of sibling rivalry has not been explored earlier. 

Sikka tells us that the two key factors that are considered before coming up with any new IP, character or show at Nick are ‘how relatable is it for kids’ and ‘does it fire up or capture their imagination’. In the case of ‘Chikoo aur Bunty’, says Sikka, “the sibling rivalry being an everyday, unending saga in every family, the relatability factor is going to be very high. It is not just the story of these two characters, but that of every kid.”

Nick credits its success to the fact that it owns all its IPs that are developed by its team of young professionals. The brand relies on the power of observation to find new characters and plots which are then mapped onto the white spaces in content.

Sikka shares that the strategy of translating these observation-based concepts into the first few episodes and then tweaking them based on feedback from children has worked well for the brand. Commenting on whether the advertising potential of the characters and plots is factored in during the development stages, she adds, “The primary purpose for us is to create a successful show. Once you have these characters becoming popular with the audience then it can lend to various other things such as video games, advertising, and endorsements.”

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Popular formats

Nick has content ranging from 60-second shorts to 90-minute TV movies. The shows are mostly seven, 11, and 22 minutes. There are mini-movies of 45 minutes and longer ones of 60, 75, and 90 minutes.

This ensures a variety of content, “all of which is enjoyed by kids, although the 11-minuters are most popular with them” according to Sikka. “Majority of the shows on Nick are 11-minute stories. While the character and backdrop of a series stay the same, each one is an independent story. Even when two 11 minuters are played out in a 22-minute slot, the track we follow is independent, and not linear. The idea is that kids who do not have the patience to sit for long can walk in any time and enjoy the content that’s available.”

These 11-minuters have also shown the highest repeat value with kids, as compared to 22- minute stories. “Children are used to watching stories that are crisp. 11-minuters allow you to create a script where you are able to tell the stories effectively while doing justice to all elements. For instance, for our chase comedy ‘Pakdam Pakdai’ seven minutes is perfectly justified, but if you have to tell a story that has more than one element such as humour and action, 11 minutes is the perfect duration,” Sikka adds.

Changing viewership trends

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Viewership for the kids category is quite fluid and seasonal, with the prime time depending heavily on the kids’ school calendars. However, with children staying home during the pandemic, the time band from 8 am to 1-2 in the afternoon witnessed a substantial boost.  This also holds for vacation times when more content is watched in the morning and afternoon, rather than in the evening.

As schools re-open in a staggered manner across the country, Sikka informs that she and her team are closely observing the developments and planning lives accordingly. “For now as we sail in both the boats, we are ensuring original content in the morning, followed by an immediate repeat in the evening time band. We will make scheduling changes as needed.”

Another important and very positive trend that picked up steam during the pandemic years was that of co-viewership happening on the channel. Sikka hopes that with the exception of toddlers who will find it difficult to comprehend the new dialogue-heavy comedy, ‘Chikoo aur Bunty’ will drive this trend forward with its across-the-board appeal. 

Awards

Hamdard honours changemakers at Abdul Hameed awards

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NEW DELHI: Hamdard Laboratories gathered a cross-section of India’s achievers in New Delhi on Friday, handing out the Hakeem Abdul Hameed Excellence Awards to figures who have left their mark across healthcare, education, sport, public service and the arts.

The ceremony, attended by minister of state for defence Sanjay Seth and senior officials from the ministry of Ayush, celebrated individuals whose work blends professional success with a sense of public purpose. It was as much a roll call of achievement as it was a reminder that influence is not measured only in profits or podiums, but in people reached and lives improved.

Among the headline awardees was Alakh Pandey, founder and chief executive of PhysicsWallah, recognised for turning affordable digital learning into a mass movement. On the sporting front, Arjuna Awardee and kabaddi player Sakshi Puniya was honoured for her contribution to the game and for pushing women’s participation onto bigger stages.

The cultural spotlight fell on veteran lyricist and poet Santosh Anand, whose songs have echoed across generations of Hindi cinema. At 97, Anand accepted the honour with characteristic humility, reflecting on a life shaped by perseverance and hope.

Healthcare honours spanned both modern and traditional systems. Manoj N. Nesari was recognised for strengthening Ayurveda’s place in national and global health frameworks. Padma shri Mohammed Abdul Waheed was honoured for his research-backed work in Unani medicine, while padma shri Mohsin Wali received recognition for his long-standing contribution to patient-centred care.

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Education and social development also featured prominently. Padma shri Zahir Ishaq Kazi was honoured for decades of work in education, while former Meghalaya superintendent of Police T. C. Chacko was recognised for public service. Goonj founder Anshu Gupta received an award for his dignity-centred rural development initiatives, and the Hunar Shakti Foundation was honoured for empowering women and young girls through skill development.

The Lifetime Achievement Award went to former IAS officer Shailaja Chandra for her long career in public healthcare and governance, particularly in the traditional systems under Ayush.

Speaking at the event, Hamdard chairman Abdul Majeed said the awards were a tribute to those who combine excellence with empathy. “These awardees reflect Hakeem Sahib’s belief that healthcare, education and public service must ultimately serve humanity,” he said.

Minister Seth struck a forward-looking note, saying India’s young population gives the country a unique opportunity to become a global destination for learning, health and wellness by 2047.

The ceremony also featured the trailer launch of Unani Ki Kahaani, an upcoming documentary starring actor Jim Sarbh, set to premiere on Discovery on 11 February.

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Instituted in memory of Unani scholar and educationist Hakeem Abdul Hameed, the awards have grown into a national platform that celebrates those building a more inclusive and resilient India. For one evening at least, the spotlight was not just on success, but on service with substance.

 

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Why the best campaigns today start with insights, not ideas

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MUMBAI: For decades, creative storytelling has been the cornerstone of brand communication. The “big idea” amplified through catchy jingles, striking visuals, and memorable hooks was once the gold standard for relevance and recall. Creativity defined presence, and the loudest, boldest campaigns often won attention.

But the marketing landscape today looks very different.

Audiences are more exposed, more discerning, and far less patient. They are inundated with messages across platforms, formats, and creators, often encountering hundreds of brand touchpoints in a single day. In this environment, creativity alone especially when untethered from real consumer truths is no longer enough to move behaviour. Great ideas are abundant. Meaningful impact is not.

This is where insights matter.

The difference may seem subtle, but it is fundamental. An idea represents what a brand wants to say. An insight reflects what the audience is already thinking, feeling, or experiencing. The most effective campaigns emerge not from cleverness alone, but from the intersection of these two forces.

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From creativity to relevance

As the marketing ecosystem becomes increasingly saturated, consumers are growing immune to inflated claims and surface-level storytelling. Even beautifully crafted campaigns can fail if they are disconnected from lived realities. The gap between a brand’s internal enthusiasm and the audience’s actual sentiment can be the difference between attention and indifference.

Insights help bridge this gap. They force brands to pause, listen, and observe to understand emotions, behaviours, cultural contexts, and contradictions. Instead of trying to be remembered through louder branding, insight-led campaigns allow audiences to see their own experiences reflected back at them. When a campaign articulates a problem that feels personal, relevance is created. Trust follows.

Insight is interpretation, not information

It’s important to distinguish between data and insight. Data tells us what is happening. Insight explains why it is happening. While data is measurable and structured, insights are interpretive and dynamic, shaped by real-time sentiment and human behaviour.

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Modern consumers are full of contradictions. They demand authenticity while remaining deeply aspirational. They want brands to take a stand but expect nuance, not instruction. They seek transparency, yet are drawn to curated narratives. These tensions are not obstacles, they are opportunities. When understood correctly, they can shape communication that feels timely, credible, and human.

Some of the most effective campaigns today are born not in isolated brainstorm rooms, but through listening to audiences, creators, editors, online communities, and cultural signals. Insights often exist in blurred patterns, but once identified, they can redefine how a brand connects.

A recent campaign we executed for Domino’s illustrates this shift clearly. The brief wasn’t to make a pizza look bigger or louder. Instead, it was rooted in a simple behavioural truth: in Tier 2 and Tier 3 markets, sharing food is an emotional act tied to family, celebration, and value perception. The “Big Big 6-in-1 Pizza” became a canvas for this insight. The campaign leaned into regional voices and real sharing moments, allowing people to show how they experienced the product rather than being told why they should buy it. Influencers and celebrities amplified genuine usage, not scripted endorsements. The impact from engagement to footfall to sales came not from a clever idea, but from understanding how people relate to food in their everyday lives.

Shifting the starting point

Today’s consumer landscape demands a shift in perspective from “What should the brand say?” to “What does the audience need to hear right now?” This marks a move away from inward-led marketing toward communication shaped by behaviour, emotion, and cultural relevance.

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Brands leading today are keen observers. They notice when perfection stops resonating. They sense when luxury shifts from aspiration to excess. They recognise when influencer content begins to feel repetitive and trust erodes.

Virality, too, is often misunderstood. It is not a strategy to chase, but an outcome. Campaigns rooted in insight do not aim to go viral; they aim to resonate. When content reflects something familiar, a shared truth, emotion, or tension, it travels organically because people see themselves in it.

Ideas attract attention. Insights build connection.

The evolving role of PR

For PR professionals, this shift has redefined success. Coverage volume alone no longer tells the full story. The more meaningful questions today are: Did the communication influence behaviour? Did it align with cultural conversations? Did it address a real consumer pain point?

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Insight-first thinking allows these questions to be answered at the planning stage, rather than corrected midway through execution.

In a world where formats and platforms will continue to evolve, what remains constant is the power of authentic communication. The strongest campaigns today do not begin with a brainstorm, but with observation, interpretation, and empathy. That is not just better marketing, it is more responsible, resilient, and meaningful brand-building.

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Brands

Ahmad Muneeb elevated to VP – HR centre of excellence at Zepto

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MUMBAI: Zepto has elevated Ahmad Muneeb to vice president – HR centre of excellence, placing him at the helm of the company’s total rewards, executive compensation and organisational effectiveness as the quick-commerce firm powers through a high-growth phase.

The move follows his stint as senior director of the HR COE, where he played a central role in preparing the company for IPO readiness while scaling its people analytics capabilities. During this period, Muneeb helped align complex performance management structures with more streamlined and scalable employee experience frameworks.

In his new role, he will steer the design of total rewards strategies, executive compensation planning and organisational design, while also overseeing performance management, employee experience initiatives and people analytics programmes.

Before joining Zepto, Muneeb spent nearly three years at Meesho, where he held multiple rewards and HR business partner roles. Earlier in his career, he worked as a senior rewards consultant at Mercer, advising high-tech clients on compensation benchmarking, pay structures and talent-focused reward frameworks.

He began his hr journey at Cognizant, where he supported compensation programmes for nearly two lakh employees across India and worked on m&a compensation alignment and skill-based pay initiatives. Prior to moving into HR, Muneeb started his career as a software engineer at Netcracker, bringing a technical grounding to his people strategy work.

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With a mix of consulting rigour, start-up agility and enterprise-scale experience, Muneeb’s elevation signals Zepto’s continued focus on building robust people systems as it races towards its next phase of growth.

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