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A grand finale act Dhurandhar muscles into the Rs 1000 Crore club

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MUMBAI: Just when 2025 looked set to bow out on a cautious note, Dhurandhar stepped in and rewrote the closing credits. The spy thriller led by Ranveer Singh has officially crossed the Rs 1,000 crore worldwide box office mark, a feat achieved by only a handful of Indian films. In recent years, that exclusive club has included titles such as Jawan, Pathaan, KGF Chapter 2, RRR and Baahubali 2 films that combined scale, spectacle and sustained audience interest. Dhurandhar’s entry into this bracket places it firmly among modern Indian cinema’s biggest commercial successes, and does so in a year where consistency was in short supply.

 The film is supported by a formidable ensemble featuring Akshaye Khanna, Sanjay Dutt, R. Madhavan, and Arjun Rampal, whose performances lend gravitas to the espionage drama, alongside strong supporting turns by Sara Arjun, Rakesh Bedi, Danish Pandor, and Saumya Tandon, ensuring the narrative never relies on star power alone but is driven by depth across the cast.  

What makes the milestone more striking is the film’s trajectory. Dhurandhar did not explode out of the gates with record-shattering opening numbers. Instead, it posted a measured opening, followed by unusually strong weekday holds. As early scepticism gave way to curiosity, word of mouth took control, and collections began climbing week on week rather than tapering off. Trade analysts point to this curve as the clearest indicator of genuine audience buy-in rather than front-loaded hype.

Social media played a decisive role in that shift. Clips highlighting the film’s gripping plot turns, tight screenplay and layered performances travelled rapidly across platforms, fuelling conversation beyond the usual fan bases. The ensemble cast, not just the lead star, found consistent praise, while discussions around the film’s narrative choices and pacing kept it trending long after release weekend. That digital buzz translated directly into footfalls, with repeat viewing emerging as a key driver of its late-stage box office surge.

By its third week, Dhurandhar had moved decisively into elite territory, pushing past Rs 1,050–1,100 crore globally, with overseas markets such as North America, the Middle East and Australia contributing meaningfully alongside a strong domestic run. For exhibitors and distributors, the film became a rare example of a release that grew stronger as competition increased, rather than fading under it.

In a year that delivered a mixed report card for Hindi cinema marked by high-profile underperformers and cautious audience sentiment, Dhurandhar’s run has offered a timely reminder. When story, craft and performance align, audiences still show up, talk about it and return. Amid shifting consumption habits and release strategies, the film’s success reinforces an old truth dressed in new numbers: a well-made film remains the most reliable recipe for box office success.

As the industry looks ahead to 2026, Dhurandhar’s Rs 1,000 crore finish does more than end the year on a high. It restores faith in the fundamentals that compelling storytelling, patiently earned buzz and audience trust can still deliver cinema’s biggest wins.

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26

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MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.

The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.

Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.

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Tere Ishk Mein row: Eros sues Aanand L Rai over Raanjhanaa rights

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MUMBAI: Eros International Media Ltd has moved the Bombay high court against filmmaker Aanand L Rai and his production banner Colour Yellow Media Entertainment LLP, alleging unauthorised exploitation of the intellectual property of its 2013 blockbuster Raanjhanaa in the promotion and release of the 2025 film Tere Ishk Mein.

The studio is seeking damages of Rs 84 crore, claiming losses arising from what it describes as unlawful capitalisation on Raanjhanaa’s goodwill. According to a report in The Times of India, Eros has filed a commercial intellectual property suit along with an interim application, alleging trademark infringement, copyright infringement and passing off.

Eros contends that Tere Ishk Mein was deliberately marketed as a “spiritual sequel” to Raanjhanaa without authorisation. The suit names Aanand L Rai, Colour Yellow Media Entertainment LLP and Colour Yellow Productions, along with Super Cassettes Industries (T-Series), writer Himanshu Sharma and Netflix Entertainment Services India LLP, turning the dispute into a multi-party legal battle.

In its filing, Eros asserts that it is the producer and exclusive owner of all intellectual property rights in Raanjhanaa, including copyright, registered trademark rights, character rights in Kundan Shankar and Murari, and remake, prequel and sequel rights. The company alleges these rights were exploited while promoting Tere Ishk Mein, which released theatrically on November 28, 2025.

The legal action was triggered by a teaser released online in July 2025, which Eros claims used phrases such as “From the world of Raanjhanaa” and hashtags including #WorldOfRaanjhanaa. The interim application further alleges unauthorised use of footage, background score and music from Raanjhanaa, despite Eros no longer holding the film’s music rights.

Directed by Aanand L Rai, Tere Ishk Mein stars Dhanush, Kriti Sanon, Priyanshu Painyuli, Prakash Raj and Tota Roy Chowdhury. Neither Eros nor the defendants have issued an official statement so far.

 
 
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