iWorld
GUEST COLUMN: Convergence is India’s next media leap
India’s television industry has moved beyond the survival debate into a leadership phase defined by convergence. Written by Zee Entertainment Enterprises chief revenue officer Laxmi Shetty, it explores the rise of the “Integrated Attention Era”, where television, OTT and digital platforms work in tandem to deliver both scale and relevance. The piece analyses changing viewer behaviour, renewed trust in television, the mainstreaming of regional content, and advertisers’ move towards unified, journey-led planning. It also looks at how IP-first storytelling, collaboration, addressable advertising and AI are reshaping monetisation and measurement, arguing that television’s future lies in integration rather than competition with digital media.
MUMBAI: For over a decade, the industry debated whether television would survive the digital wave. In 2026, the question is no longer about survival: it is about leadership.
India is entering a phase where television is not being replaced, but re- architected. The future belongs to platforms that can connect mass reach with personal relevance, and scale with intimacy. This is where convergence stops being a buzzword and becomes a growth engine.
As 2025 came to a close, India’s media and entertainment ecosystem moved into what I call the Integrated Attention Era: a phase where consumer time, trust and intent flow seamlessly across screens rather than being siloed by platforms. Digital streaming continued to expand rapidly, yet television retained its role as the country’s most powerful cultural and commercial anchor.
Linear television today reaches close to three-quarters of a billion Indians every week. That scale is matched by trust. Television continues to shape national conversations from marquee sporting events and reality formats to movies and news. Importantly, trust in television advertising among 18–34-year-olds has risen sharply in recent years, reaffirming that credibility is becoming as valuable as reach in an attention-scarce environment.
At Zee, this trust advantage plays out every day across a deeply regional, multi-genre network that speaks to India in its many languages. In a fragmented media landscape, this ability to deliver shared moments at scale remains television’s most under-appreciated strength.
From Dual Budgets to Unified Funnels
In 2025, advertiser investments in television were concentrated around tentpole sports and large event properties, often planned alongside digital extensions. While digital platforms added frequency and interactivity, it was television that consistently delivered reach, attention and long-term memory. As a result, marketers began shifting from platform-led planning to what we describe as One Funnel Thinking, where television and digital are orchestrated as complementary forces rather than competing line items.
This shift reflects a broader consumer reality. The explosion of content and subscriptions has created a paradox of choice. Decision fatigue is now a real barrier to engagement, especially in urban India. Scheduled television, with its familiar rhythm and effortless discovery, has re- emerged as a low-friction way to unwind and connect. OTT adoption continues to grow, now crossing 600 million users, but audiences increasingly choose when to control and when to surrender control.
In the Indian context of multi-generational households, this distinction is critical. Television remains the Living Room Anchor, uniting families across age groups, while OTT platforms serve as personalised escapes. The future is not TV versus OTT, it is TV and OTT, each playing a distinct role in the viewer’s daily rhythm.
Regional India: From Reach to Resonance
One of the most defining shifts of 2025 was the rise of regional India from a segmented market to the new mainstream. Viewers across states leaned into culturally rooted storytelling in their own languages: on broadcast as well as streaming. Regional channels saw stronger appointment viewing, while OTT platforms increased investments in local originals, dubbing and subtitling.
This is where broadcast’s decades-long expertise becomes a strategic advantage. At Zee, regional storytelling has never been an afterthought it has been the foundation. Our deep understanding of socio-cultural nuances across markets allows content to resonate across generations and travel across states. Increasingly, regional IPs are evolving into what we term.
Cultural Franchises, properties that scale across languages, formats and platforms, delivering longer shelf life and diversified monetisation.
For advertisers, this has fundamentally changed the playbook. National brands are moving away from uniform communication toward State-First Brand Building, combining sharp local relevance with national consistency. Regional media delivers a rare combination of high reach and contextual alignment: expanding the very definition of mainstream India.
2026: The Year of Collaborative Media
As we look ahead, 2026 will be defined by collaboration. Growth will come from breaking silos and building Connected Content Ecosystems: where television, OTT, digital and social work in unison.
Consumer behaviour already points the way. Discovery increasingly begins on social and short-form platforms, sampling happens through clips and highlights, and deep engagement shifts to the screen that fits the moment—often the television screen for family viewing and live events. Winning in this environment requires what we call Journey-Led Distribution: following the viewer across touchpoints rather than optimising for a single platform.
This makes partnerships essential. Broadcasters, streamers, brands and technology platforms will increasingly co-create IP, co-invest in launches and co-distribute content. Shared measurement frameworks, interoperable ad-tech and privacy-first data collaboration will be critical to scale addressable solutions responsibly. At Zee, we see this as moving from media transactions to Media Alliances—built on shared outcomes rather than isolated metrics.
IP-Led Storytelling and Smarter Monetisation
TV and OTT integration is also accelerating beyond distribution toward IP-First Storytelling. Franchises are no longer designed for a single window. A strong property today must function simultaneously as a television appointment, an OTT catch-up, a social conversation and a brand integration canvas—each layer reinforcing the other.
This approach not only expands reach but increases lifetime value while reducing risk. It also reshapes how talent, formats and brands collaborate—unlocking extensions into short-form content, live events, gaming, commerce and community engagement.
Monetisation models will evolve accordingly. Cross-screen packages that combine television’s scale with digital’s addressability will become standard. For marketers, disciplined frequency management and creative consistency across touchpoints will be non-negotiable. Revenue will increasingly come from a balanced mix of advertising, subscriptions and micro-transactions—tailored to audience cohorts and genre dynamics.
Technology as the Multiplier
Technology will be the multiplier that powers this convergence. Data, AI and distribution innovation are already transforming content creation, localisation and discovery. At Zee, AI is being deployed across subtitling,
dubbing, promo optimisation and audience insights. The next phase will see AI guiding greenlighting, scheduling and creative versioning—improving both efficiency and effectiveness.
With connected TV penetration rising, addressable advertising is set to scale rapidly. Industry forecasts suggest addressable could account for over 16 percent of TV ad revenue by 2026—bringing digital-like precision to television without compromising its unmatched scale.
The Road Ahead
The outlook for 2026 is constructive. As macro conditions stabilise, marketers will prioritise dependable reach, smarter targeting and measurable returns. Television will remain central—especially in regional India and around marquee moments—but its true power will lie in how well it integrates with the wider ecosystem.
The future belongs to companies that think of content as long-term IP, distribution as a network of partnerships, and technology as a strategic enabler. By embracing convergence and putting the consumer at the centre, Indian television—in all its new avatars—will not just endure. It will lead.
“In 2026, growth will not come from choosing between TV and digital. It will come from designing ecosystems where scale meets relevance, and mass media becomes meaningful media and Robust, Transparent and
Interoperable measurement will unlock the true value of cross-screen engagements.”
iWorld
Netflix celebrates a decade in India with Shah Rukh Khan-narrated tribute film
MUMBAI: Netflix is celebrating ten years in India with a slick anniversary film voiced by Shah Rukh Khan, a nostalgic sprint through a decade that rewired how the country watches stories. The campaign doubles as both tribute and reminder: streaming did not just enter Indian homes, it quietly rearranged them.
Roll back to 2016 and television still dictated schedules. Viewers waited weeks, sometimes months, for favourite films to appear on prime time. Family-friendly filters narrowed options further, and piracy often filled the gaps. Then Netflix arrived, softly but decisively, carrying a catalogue of international titles rarely seen in Indian theatres and placing them a click away. Old blockbusters and new releases suddenly coexisted on the same digital shelf.
The platform’s real inflection point came in 2018 with Sacred Games, a breakout series that refused to dilute India’s grit for global comfort. Audiences embraced its unvarnished tone, signalling readiness for stories that did not need box-office validation or censorship compromises. What followed was a steady procession of relatable narratives. Competitive-exam anxiety fuelled Kota Factory. College relationships unfolded in Mismatched. Everyday pressures, not grand spectacle, proved bankable.
Language barriers thinned as foreign series arrived with Hindi, Tamil and Telugu dubbing, expanding viewership beyond urban English-speaking pockets. Marketing mirrored the shift. For global releases such as Squid Game, Netflix leaned on regional creators and influencers to localise buzz and make international content feel native.
The library widened beyond fiction. Documentaries stepped out of festival circuits into living rooms. Stand-up comedians found scale. Established filmmakers, including Sanjay Leela Bhansali with Heeramandi, embraced the platform’s long-form canvas. Subscriber numbers swelled to 12.37 million in India, according to Demandsage, and behaviour followed suit. Late-night binges became routine. Friday release rituals loosened. Watch parties turned solitary screens into social events.
Economics demanded adjustment. Early subscription pricing carried a premium aura that deterred many households. Over time, Netflix recalibrated plans to align with Indian spending sensibilities, conceding that accessibility is as critical as content. To extend momentum around marquee titles, the platform also experimented with split-season releases, stretching anticipation and watch time.
The anniversary film, narrated by Shah Rukh Khan, captures the linguistic shift that mirrors the cultural one: from “Netflix pe kya dekha?” to “Netflix pe kya dekhein?” The question moved from recounting the past to planning the next binge. In ten years, Netflix morphed from foreign entrant to familiar fixture, exporting Indian stories abroad while importing global ones home. The remote no longer waits; it chooses, clicks and moves on. In the streaming age, patience is out, playlists are in, and the next episode is always one tap away.
e-commerce
Tulasi Mohan Padavala elevated to Associate Director at Blinkit
Gurugram: Blinkit has elevated Tulasi Mohan Padavala to associate director, capping a three-year climb inside the quick-commerce firm and signalling confidence in an executive steeped in ecommerce, category management and on-ground sales execution.
Padavala shared the update publicly, saying he was “happy to share” the promotion, a succinct announcement that nevertheless marks a notable step up within one of India’s fastest-moving delivery platforms. The new role follows nearly three years at Blinkit, where he most recently served as senior category manager from February 2023 to January 2026, focusing on strategic sourcing and assortment planning.
The promotion places Padavala in Blinkit’s mid-to-senior leadership tier at a time when the company continues to expand its rapid-delivery footprint and sharpen category economics. His brief tenure as associate director began in January 2026, with responsibilities expected to span category growth, supplier strategy and cross-functional execution.
Before Blinkit, Padavala spent a short but intensive stint as global ecommerce manager at Wholsum Foods, the parent of Slurrp Farm and Millé, between November 2022 and February 2023. There he worked on digital marketplace expansion and online retail operations, adding a direct-to-consumer and international ecommerce layer to his résumé.
A longer stretch at Amazon shaped much of his cross-border commerce experience. As business development manager for Amazon’s India Global Selling programme from February 2021 to October 2022, Padavala helped Indian D2C brands enter the North American market. His remit ranged from seller recruitment and category revenue management to coordination with industry bodies, regulators and logistics partners. Key outcomes included launching more than 50 D2C consumable brands in the United States, driving a cumulative gross merchandise sales figure of $1m in FY21-22, tripling sales for participating brands during Prime Day through marketing and visibility levers, growing the monthly recurring revenue of more than 10 newly launched sellers from zero to an average $20,000 each, and negotiating ecommerce partnerships that reduced initial launch costs by 20 per cent.
Padavala’s earlier career was forged in the field rather than the dashboard. At Coffee Day Group, he spent close to five years across multiple sales leadership roles. As sales manager in the Greater Delhi Area from July 2019 to January 2021, he led vending-machine and consumables sales for small and medium enterprises with a team of more than 15 assistant and territory sales managers, managed over 2,000 clients, drove upselling and cross-selling, maintained channel partnerships and ensured timely collections. Prior to that, he served as area sales manager in Delhi between May 2018 and June 2019, handling south and east Delhi markets, and earlier in Hyderabad from April 2016 to May 2018, where he led Andhra Pradesh sales for the vending division, supervised service and logistics functions and managed a base of more than 600 machines with a four-member team.
His professional arc began with internships that combined analytics and process improvement. At Boehringer Ingelheim in 2015, Padavala analysed the impact of brand extension on the drug Pradaxa, identified key performance indicators through market research and assessed sales forecasts, recommendations that drew positive responses in pilot studies. Earlier, at Genpact in 2014, he automated manual sales-order backlog reporting using VBA and Excel, increasing efficiency by 800 per cent, and worked on benchmarking metrics within supply-chain planning processes.
From automating spreadsheets to scaling cross-border ecommerce and now steering quick-commerce categories, Padavala’s trajectory tracks the evolution of India’s retail economy itself. Blinkit’s bet is clear: blend data, discipline and delivery speed. The promotion formalises what his career already suggests. In the race for instant commerce, experience that moves from warehouse floors to global dashboards is no longer optional. It is the engine.
e-commerce
Bharatpe plays a super over as Rohit Sharma fronts T20 push
MUMBAI: When the stakes rise and seconds matter, even payments need a match-winning finish. That’s the cue for Bharatpe, which has rolled out Super Over, a nationwide campaign led by Indian cricket captain Rohit Sharma, timed neatly ahead of the ICC Men’s T20 World Cup.
The campaign draws a straight line between the pulse of cricket and the pace of everyday digital payments. A new brand film taps into India’s emotional bond with the game, while positioning UPI as the quiet hero that keeps daily transactions ticking along at match speed.
As part of Super Over, users making payments via Bharatpe UPI can bag daily rewards ranging from match tickets and signed merchandise to a chance to watch a T20 World Cup fixture alongside Rohit Sharma himself. Both consumers and merchants are also assured Zillion Coins on every eligible transaction, adding a little extra sparkle to routine payments.
Behind the scenes, Bharatpe is also batting for safety. The platform is backed by Bharatpe Shield, a fraud-protection layer designed to offer enhanced security, comprehensive coverage and dedicated support aimed at helping users transact with greater confidence as digital payments scale up.
Announcing the campaign, Bharatpe head of marketing Shilpi Kapoor said Super Over mirrors the aspirations of everyday Indians, combining speed, security and instant rewards to make UPI transactions feel both reliable and rewarding.
The campaign will play out across digital platforms, social media and on-ground activations nationwide, staying live through the T20 World Cup season proof that in cricket, as in payments, timing is everything.
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