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IBS: Marketing in a VUCA world

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Mumbai: The India Brand Summit held on 28 November 2023 at The Lalit Mumbai, convenes leaders, marketers, entrepreneurs, and experts to explore current trends, challenges, and opportunities in the dynamic brands and marketing arena.

The session offered an in-depth exploration of the strategies and insights required to effectively navigate the challenges posed by a VUCA environment. VUCA stands for Volatility, Uncertainty, Complexity, and Ambiguity – characteristics that define the modern business landscape’s fast-paced & unpredictable nature.

The panel was moderated by Ernst & Young LLP partner & head marketing advisor Amiya Swarup. Panellists for this session were Aditya Birla Fashion and Retail Ltd head- corporate marketing & strategy Apeksha Gupta, Bisleri International Pvt. Ltd. marketing head Tushar Malhotra, Fino Payments Bank CMO Anand Bhatia, Shemaroo Entertainment Ltd. CMO Anuja Trivedi.

Key highlights of this session was to understand the VUCA dynamics & how it impacts marketing strategies and to learn about the tactics to respond to sudden market shifts, emerging trends, and unforeseen disruptions. Along with this, they will also speak on what role does data & decision making play in such dynamic structure, the role of digital platforms and technology in VUCA marketing and much more..

The panel was started by Swarup asking Gupta on how marketing has evolved over the years, as it is at the forefront of generating data and the role it plays in the dynamic structure to which Gupta answered, “VUCA has always been around, because it’s always been an unstructured, volatile environment, because that’s the nature of how things move. It’s  just that the pace has increased right now and it’s multi fold in terms of what’s happening in the unpredictability of it. So I broadly kind of focus on three broad mantras to deal with this kind of uncertainty. My first one is, it’s perfectly okay to not know, I think we kind of get caught up in saying, okay, I’m supposed to be so and so. And I have to know all the answers, and I’m supposed to connect the dots. Actually, it’s perfectly okay to not know because that’s really where the starting point is. If you don’t know, you will work really hard to figure it out. So I’m always very open to saying, look, I don’t know how Gen Z is working, I don’t know how data works, I don’t know how digital is working. It’s a great starting point. The second for me really is  earlier, we were always told, go targeted, go really sharp, I think maybe that’s changing a little bit. Now, to the extent that anything that we do, actually try and figure out the larger implication or the ripple effect of it, because the ripple effect will actually help you be agile. Because when you shoot that stone, you can choose to jump off one ribbon to the other if you’re keeping your eye around that and not that Bullseye essentially. And of course, third, again, very spoken off in the past, but a lot more implication now is to celebrate failures. If we don’t have that cultural DNA to sort of help us celebrate our failures to take that much risk to constantly keep coming up with new and the new itself is so difficult because it’s like changing so rapidly. But those would be my three ways of dealing with uncertainty in terms of mindset and approach to how I deal with challenges.”

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Swarup was delighted by the answer as he shifted towards the content side by asking Trivedi on the evolution and strategies of marketing over the years to which she replied, “Marketing for the longest time been about, you know, you bring out the brand film and then you wait for the next brand track to know where things are going. Today with the data and you know the access we have, marketing has never been as close to business as it is today, like you said connecting the dots. So what I put out in 24 to 48 hours, I know whether it’s working or whether it’s not working, it allows me the agility to change those things. It allows me to, I mean, with digital, it allows us to experiment as AV testing, you can get those results. Marketing is a lot more two way process today. So you’re also listening to what your consumer is saying, and making those changes. So to my mind, actually, you know, we are as close to business today as we could be.”

Marketing plays a fundamental role in terms of driving ROI, business goals etc. Bhatia shared his views by saying, “India is an incredibly homogeneous country. We are a country of ABCD. A as “Adda” when people get together to talk, you know, whether it’s politics or you know, whatever it is, B is “Bollywood”, hence any kind of old, you know Tolly calls you whatever comes with it, C “Cricket”, right? Everywhere. D is “Devotion” or only depends on which side of the spectrum you want. Marketing has just got very simplified over time. And I guess, the best thing that a CMO can do today is really bring it down to a few controllable variables. Good part is that technology today allows you that, right, so fundamentals don’t change. Technology just allows you to bring everything down to a few variables, few moving parts, and you can really leverage that in a big way and deliver ROI.

At the end of the day, the name of the game is ROI. If the CMO is not getting in business, you really won’t be in business anymore, right? In fact, I think marketers need to start looking at the function as, as a profit center marketing is a profit center, it has always been a profit center, they, you know, they’ll always be disagreements on the way certain measurements happen, we counters will have the views, marketer will have his views, or her views, you know, that life goes on. But I think that fundamental shift is critical.”

Swarup then asked Malhotra on the role of marketing and especially gave a lot of insights on the mindset of today’s Gen Z people. He said, “This is an everyday morning board conversation, right? The role of marketing. I would say four things stand out today, more than anything else. One is that marketing is a strategic and tactical function at the same time. Strategic from a perspective of brand building and tactical from sales delivery. So both go hand in hand together and the focus of marketing is on both parts, right. The second part is of course, the evolution of the consumer landscape today.

Gen Z’s today are a very woke audience and conversations happen in a matter of minutes. So understanding Gen Z, understanding your product and understanding the relevance because truth be told, India is a very young country today. Its demographic dividend that we spoke about conditions are favourable. There are a lot of tailwinds towards business and how do businesses harness consumer trends? How do businesses prepare themselves when Gen Z’s really take over? Because this is an audience with a very different mindset. Very woke, looking for a brand for purpose? But also looking at getting away from a lot of stressors in life, right?

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The third bit I will speak about is that today, a marketer needs to be an integrated marketing specialist, there are so many channels, right? Traditional channels still exist as a mass brand, if you reach out for awareness, it has to be TV. So how do you make your campaigns tick across all channels, and get a proper ROI rather than just focus on one channel. And the last point is that whatever we speak about there is no one detail. You have to wait in different mini India’s with your messaging with your communication, because India is also filled with a lot of different cultural landmarks. If you go to South India, it behaves slightly differently from West or North India, and you have to appeal to those audiences to see what works for them as well.”

The session concluded with many panellists agreeing on one thing that today Gen Z is where the conversations are happening and will also be the key to unlocking and staying relevant in the next 10 years as they are different drivers who talk about sustainability, brands with purpose, imagery, stresses, and by addressing all these things, their being ready for future of the consumers. 

 

Brands

Netflix India names Rekha Rane director of films and series marketing

Streaming giant bets on a seasoned marketer who helped build Amazon and Netflix into household names

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MUMBAI: Netflix has put a proven brand builder at the helm of its films and series marketing in India, naming Rekha Rane as director in a move that signals sharper focus on audience growth and cultural cut-through in one of its most hotly contested markets.

Rane steps into the role after seven years at Netflix, where she has quietly shaped how the platform sells stories to India. Her latest promotion, effective February 2026, crowns a run that spans brand, slate and product marketing across originals, licensed content and new verticals such as games.

A strategic marketing and communications professional with roughly 15 years’ experience, Rane has spent much of her career building technology-led consumer businesses and new categories, notably e-commerce and subscription video on demand. She was part of the early push that introduced Amazon.in, Prime Video and Netflix to Indian homes, then helped turn them into everyday brands.

At Netflix, she most recently served as head of brand and slate marketing for India from March 2024 to February 2026, leading teams across media and marketing for global and local content portfolios. Before that, as manager for original films and series marketing, she led IP creation and go-to-market strategy for titles including Guns and Gulaabs, Kaala Paani, The Railway Men* and The Great Indian Kapil Show, spanning both binge and weekly-release formats.

Her earlier Netflix roles covered product discovery and promotion in India and integrated campaign strategy to drive conversations around the content slate, product awareness and brand-equity metrics.

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Before Netflix, Rane logged more than three years at Amazon in brand marketing roles in Bengaluru. There she handled national and regional campaigns for Amazon.in, worked on customer assistance programmes in growth geographies and contributed to the go-to-market strategy for the launch of Prime Video India.

Her career began well away from streaming. At Reliance Brands in Mumbai, she worked on retail marketing for Diesel and Superdry. A stint at Leo Burnett saw her work on primary research for P&G Tide, mapping Indian shoppers’ paths to purchase. Earlier still, at Orange in the United Kingdom, she rose from sales assistant to store manager, running a team and owning monthly P&L for a retail outlet.

The arc is telling. As global streamers fight for attention in a crowded Indian market, executives who understand both mass retail behaviour and digital habit-building are prized. Rane’s career sits at that intersection.

For Netflix, the bet is simple: in a market spoilt for choice, sharp marketing can still tilt the screen. And with Rane now leading the charge, the streamer is signalling it wants not just viewers, but fandom.

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Brands

Orient Beverages pops the fizz with steady Q3 gains and rising profits

Kolkata-based beverage maker reports stronger revenues and profits for December quarter.

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MUMBAI: A fizzy quarter with a steady aftertaste that’s how Orient Beverages Limited, the company that manufactures and distributes packaged drinking water under the brand name Bisleri closed the December 2025 period, as the Kolkata-based drinks maker reported improved revenues and a healthy rise in profits, signalling operational stability in a competitive beverage market.

For the quarter ended December 31, 2025, Orient Beverages posted standalone revenue from operations of Rs 39.98 crore, up from Rs 36.42 crore in the previous quarter and Rs 33.53 crore in the same quarter last year. Total income for the quarter stood at Rs 42.24 crore, reflecting consistent demand and stable pricing across its beverage portfolio.

Profit before tax for the quarter came in at Rs 3.47 crore, a sharp improvement from Rs 1.31 crore in the September quarter and Rs 0.39 crore a year ago. After accounting for tax expenses of Rs 0.79 crore, the company reported a net profit of Rs 2.68 crore, nearly three times the Rs 0.99 crore recorded in the preceding quarter.

On a nine-month basis, the momentum remained intact. Revenue from operations for the period ended December 31, 2025 rose to Rs 117.66 crore, compared with Rs 106.95 crore in the corresponding period last year. Net profit for the nine months climbed to Rs 5.51 crore, more than double the Rs 2.18 crore reported in the same period of the previous financial year.

The consolidated numbers told a similar story. For the December quarter, consolidated revenue from operations stood at Rs 45.06 crore, while profit after tax came in at Rs 2.06 crore. For the nine-month period, consolidated revenue touched Rs 133.57 crore, with net profit of Rs 4.49 crore, underscoring the group’s improving profitability trajectory.

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Operating expenses remained largely controlled, with cost of materials, employee benefits and other expenses broadly aligned with revenue growth. The company continued to operate within a single reportable segment beverages simplifying its cost structure and reporting framework.

The unaudited financial results were reviewed by the Audit Committee and approved by the Board of Directors at its meeting held on 7 February 2026. Statutory auditors carried out a limited review and reported no material misstatements in the results.

In a market where margins are often squeezed by input costs and competition, Orient Beverages’ latest numbers suggest the company has found a reliable rhythm not explosive, but steady enough to keep the fizz alive.

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Brands

BCCL profit jumps 53 per cent in FY25 as tax bill shrinks

Revenue rises 4.3 per cent to Rs 10,209.33 crore while deferred tax gain lifts bottom line sharply

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NEW DELHI: Bennett, Coleman and Company (BCCL) has posted a sparkling set of financial results for the year ended 31 March 2025, proving that there is still plenty of ink and gold left in the ledger.

Revenue from operations climbed a steady 4.3 per cent, reaching Rs 10,209.33 crore compared to Rs 9,786.44 crore the previous year. When you sprinkle in other income, which rose 8.9 per cent to Rs 949.36 crore, the total income for the media behemoth hit a healthy Rs 11,158.69 crore.

While the income grew at a modest pace, the bottom line tells a far more dramatic story. The real headline is the 53 per cent surge in annual profit. How did they pull off such a feat? While Profit Before Tax (PBT) saw a gentle nudge upward of 2.7 per cent to Rs 1,610.00 crore, it was a vanishing act by the taxman that really did the trick.

Total tax expenses plummeted by 32.4 per cent, dropping from Rs 468.76 crore down to Rs 316.97 crore. This was largely thanks to a swing in deferred tax, moving from an expense of Rs 156.02 crore in FY24 to a benefit of Rs 39.44 crore this year.

Total income rose from Rs 10,658.55 crore in FY24 to Rs 11,158.69 crore in FY25, marking a 4.7 per cent increase. Total expenses grew at a slower pace, up 3.0 per cent from Rs 9,306.06 crore to Rs 9,581.45 crore. Profit before tax inched up 2.7 per cent, moving from Rs 1,567.02 crore to Rs 1,610.00 crore. However, the standout figure was net profit, which jumped sharply by 53.0 per cent, climbing from Rs 1,042.03 crore in FY24 to Rs 1,594.73 crore in FY25.

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Despite the rising costs of doing business across the globe, BCCL kept a tight grip on the purse strings. Total expenses rose by just 3.0 per cent to Rs 9,581.45 crore. By keeping costs lower than the rate of income growth, the company ensured that the final figure, a net profit of Rs 1,594.73 crore, was nothing short of a front-page sensation.

In a world of shifting digital tides, it seems the BCCL ship is not just steady, but sailing into significantly wealthier waters.

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