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Sports broadcasting at the crossroads of survival and glory: Zeel Sports Business CEO Atul Pande

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Well, another year has gone past for the sports broadcasting industry in India, and another year which has raised more questions than answers, as the industry stands at the crossroads of survival and glory.

Year 2011 started with a bang. A very successful World Cup – at least from an India team view point driving record ratings. The Indian teams performance, a dream semi-final and a terrific final ensured that the ODI got back to an even keel against their more illustrious counterpart – the T20. IPL demonstrated first weakness in the ratings of this very successful event, and the English tour started the demise of an illustrious Indian team, and as I write this, our performance in Australia has affected the cash registers even more. The fans mourn the performance of a team, which could do no wrong a year ago, which is reflecting in immediate ratings and the general mood.

In the middle of all this, there was a small matter of a broadcaster falling out with a cricket board, with ramifications which could redefine the sport going forward.

We live in India, and sometimes we forget that sport is more than cricket, so it‘s time for some statistics. The sports genre delivered a growth of 11 per cent in gross GRPs (gross rating points) delivered in 2011. The growth comes down a bit if one includes IPL, but the market share of the genre hovers around 7 per cent of all GRPs delivered. Interestingly, cricket grew driven by the World Cup with 85 per cent share, and non cricket GRPs actually shrunk this year, demonstrating the event driven nature of the Indian sports broadcasting milieu. The reach also increased this year with 5 million more households gaining access to the viewing pleasure of sport.

Football demonstrated selective growth, and in some metro markets is a clear number 2 sport to cricket now. Also, clearly as a genre, there is a divide between metro / non metro where in cities like Mumbai and Delhi sports genre share is now climbing into the teens in terms of viewership.

The launch of the HD service this year has opened another vista for the serious viewers and will open a completely new high value market, which will grow rapidly. Sports viewers on HD will touch a million by the end of this fiscal and are expected to grow to 5 million in two years time – a significant constituency.

The advertising revenues struggled, especially towards the later part of the year. Subscription revenues grew modestly, with DTH (direct-to-home) again driving most of the growth, and financial model of all broadcasters in this business continues to be challenged.

As predicted last year, new sports leagues have started burgeoning , and there is clearly a ground traction towards this initiative. Long term , it appears that all key sports will have their own structured leagues, with revenue models around them. Whether television can support all of them is a matter of discussion and evolution, but the on ground model continues to develop in India. The numbers initially will be modest but will help towards building sustainable platforms for these products in India.

What was also interesting was to watch the other cricket boards launch their own versions of IPL, and it remains to be seen how these products will impact their markets, and more interestingly, the Indian market – which will have to bankroll these products in some way. The role of our cricket board will also play a part in these leagues as they grow and develop. Sri Lanka Premier League was deferred to 2012 after an aborted take off in 2011, but the Bangladesh Premier League appears to be a reality in the earlier part of 2012.

The elephant in the room continues to be Cricket, and that is the issue, which all constituents are grappling with. It should come as no surprise to all if I mention that all broadcasters are struggling with the P&L around the sport. The board / broadcaster issue which I mentioned earlier is driven by the commercial equations of the product. It appears that unless the end subscriber starts paying for the cricket which he watches, and the revenue finds its way to the broadcaster, we are heading into a rather convoluted puzzle with few immediate solutions.

The regulatory piece also does not help with mandatory sharing and stipulated pricing, which depresses the pricing across all categories, and also limits placement and revenue generation opportunities at the distribution level.

The other issue which needs redressal is the general structure of the game per se. There is a crisis of sorts on the cricketing structure. Test cricket and its primacy appear under threat; there seems to be too much supply of cricket happening and there seems to be lack of cohesion between the ICC and its members on the way forward with the overall structure and scheduling. For the broadcasters, it is becoming a difficult task to be able to value these events in a predictable way for future revenues. In some markets Internet is now a credible force, and Internet piracy is a significant dampener in the current scheme of things.

It is incumbent upon all stakeholders now to come together and find solutions for the long term sustenance of the product. 2012 will be an interesting year, which may drive much structural action on our cricket broadcasting model.

With so much uncertainty around the main sport, segmentation will be the buzz word in the industry around non cricket sports. While viewing shares in some of the sports continue to be relatively low, our sheer numbers will help us in building profitable models around various products. I expect that the non cricket action will continue to accelerate at the ground level. And while we may not see or feel much happening here because of the sheer mind space cricket holds in our ethos, the real story and action is here. What is happening now will change the Indian sports viewing landscape, the results of which we will see in 5 to 10 years from now.

Impending cable digitalisation also needs a mention in the scheme of things. It is possibly the single biggest immediate opportunity facing the business today. The DTH experience has demonstrated that addressable systems can drive a lot of revenue traction for compelling content and sports is clearly at the top of the ladder in terms of specific customer affiliation. Also, with superior delivery vehicles, transparent reporting and better customer interface, this platform brings to all the broadcasters the opportunity to segment, differentiate and build revenue streams around the distribution strategy of specific operators. I foresee this platform to be the next driver of sports distribution revenues in India. The road promises to be rocky but the view in the end should be stunning for all concerned.

So sit back, relax, and enjoy the action. 2012 will be a defining year for this business in our part of the world, and events as they unfold should be gripping !!

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Netflix celebrates a decade in India with Shah Rukh Khan-narrated tribute film

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MUMBAI: Netflix is celebrating ten years in India with a slick anniversary film voiced by Shah Rukh Khan, a nostalgic sprint through a decade that rewired how the country watches stories. The campaign doubles as both tribute and reminder: streaming did not just enter Indian homes, it quietly rearranged them.

Roll back to 2016 and television still dictated schedules. Viewers waited weeks, sometimes months, for favourite films to appear on prime time. Family-friendly filters narrowed options further, and piracy often filled the gaps. Then Netflix arrived, softly but decisively, carrying a catalogue of international titles rarely seen in Indian theatres and placing them a click away. Old blockbusters and new releases suddenly coexisted on the same digital shelf.

The platform’s real inflection point came in 2018 with Sacred Games, a breakout series that refused to dilute India’s grit for global comfort. Audiences embraced its unvarnished tone, signalling readiness for stories that did not need box-office validation or censorship compromises. What followed was a steady procession of relatable narratives. Competitive-exam anxiety fuelled Kota Factory. College relationships unfolded in Mismatched. Everyday pressures, not grand spectacle, proved bankable.

Language barriers thinned as foreign series arrived with Hindi, Tamil and Telugu dubbing, expanding viewership beyond urban English-speaking pockets. Marketing mirrored the shift. For global releases such as Squid Game, Netflix leaned on regional creators and influencers to localise buzz and make international content feel native.

The library widened beyond fiction. Documentaries stepped out of festival circuits into living rooms. Stand-up comedians found scale. Established filmmakers, including Sanjay Leela Bhansali with Heeramandi, embraced the platform’s long-form canvas. Subscriber numbers swelled to 12.37 million in India, according to Demandsage, and behaviour followed suit. Late-night binges became routine. Friday release rituals loosened. Watch parties turned solitary screens into social events.

Economics demanded adjustment. Early subscription pricing carried a premium aura that deterred many households. Over time, Netflix recalibrated plans to align with Indian spending sensibilities, conceding that accessibility is as critical as content. To extend momentum around marquee titles, the platform also experimented with split-season releases, stretching anticipation and watch time.

The anniversary film, narrated by Shah Rukh Khan, captures the linguistic shift that mirrors the cultural one: from “Netflix pe kya dekha?” to “Netflix pe kya dekhein?” The question moved from recounting the past to planning the next binge. In ten years, Netflix morphed from foreign entrant to familiar fixture, exporting Indian stories abroad while importing global ones home. The remote no longer waits; it chooses, clicks and moves on. In the streaming age, patience is out, playlists are in, and the next episode is always one tap away.

 

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Delhivery chairman Deepak Kapoor, independent director Saugata Gupta quit board

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Gurugram: Delhivery’s boardroom is being reset. Deepak Kapoor, chairman and independent director, has resigned with effect from April 1 as part of a planned board reconstitution, the logistics company said in an exchange filing. Saugata Gupta, managing director and chief executive of FMCG major Marico and an independent director on Delhivery’s board, has also stepped down.

Kapoor exits after an eight-year stint that included steering the company through its 2022 stock-market debut, a period that saw Delhivery transform from a venture-backed upstart into one of India’s most visible logistics platforms. Gupta, who joined the board in 2021, departs alongside him, marking a simultaneous clearing of two senior independent seats.

“Deepak and Saugata have been instrumental in our process of recognising the need for and enabling the reconstitution of the board of directors in line with our ambitious next phase of growth,” said Sahil Barua, managing director and chief executive, Delhivery. The statement frames the exits less as departures and more as deliberate succession, a boardroom shuffle timed to the company’s evolving scale and strategy.

The resignations arrive amid broader governance recalibration. In 2025, Delhivery appointed Emcure Pharmaceuticals whole-time director Namita Thapar, PB Fintech founder and chairman Yashish Dahiya, and IIM Bangalore faculty member Padmini Srinivasan as independent directors, signalling a tilt towards consumer, fintech and academic expertise at the board level.

Kapoor’s tenure spanned Delhivery’s most defining years, rapid network expansion, public listing and the push towards profitability in a bruising logistics market. Gupta’s presence brought FMCG and brand-scale perspective during a period when ecommerce volumes and last-mile delivery economics were being rewritten.

The twin exits, effective from the new financial year, underscore a familiar corporate rhythm: founders consolidate, veterans rotate out, and fresh voices are ushered in to script the next chapter. In India’s hyper-competitive logistics race, even the boardroom does not stand still.

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Meta appoints Anuvrat Rao as APAC head of commerce partnerships

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SINGAPORE: Anuvrat Rao has taken charge as APAC  head of commerce and signals partnerships at Meta, steering monetisation deals across Facebook, Instagram and WhatsApp from Singapore. The former Google executive, known for launching Google Assistant, PWAs, AMP and Firebase across Asia-Pacific, steps into the role after a high-growth stint as chief business officer at Locofy.ai.

At Locofy.ai, Rao helped convert a three-year free beta into a paid engine, clocking 1,000 subscribers and 15 enterprise clients within ten days of launch in September 2024. The low-code startup, backed by Accel and top tech founders, is famed for turning designs into production-ready code using proprietary large design models.

Before that, Rao founded generative AI venture 1Bstories, which was acquired by creative AI platform Laetro in mid-2024, where he briefly served as managing director for APAC. Alongside operating roles, he has been an active investor and advisor since 2020, backing startups such as BotMD, Muxy, Creator plus, Intellect, Sealed and CricFlex through a creator-economy-led thesis.

Rao spent over eight years at Google, holding senior partnership roles across search, assistant, chrome, web and YouTube in APAC, and earlier cut his teeth in strategy consulting at OC&C in London and investment finance at W. P. Carey in Europe and the US.

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