Hindi
Inspired yet insipid
MUMBAI: A coming of age film again; Imran Khan is 25 year old and Kareena Kapoor ready to enter her 27th. They say the generation today is fast and matures before teens, Imran, though in mid 20s (in the film) and a veteran of over half a dozen films, is still coming of age. Well, if he is taking his time coming of age, it is fine but an Indian film where the female actor is mature and smarter than the male actor and in full control is a rather dicey theme to attempt; what is more, the hero stays a loser till the very end! Whatever happened to happy endings?
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Producer: Hiroo Yash Johar, KaranJohar, Ronnie Screwvala. |
Imran Khan has been sacked from his job by his architecture firm in the US and the sacking happens to coincide with the two day visit of his parents, Boman Irani and Ratna Pathak, from India. The only son of rich parents, Imran Khan has been brought up with their idea of discipline from brushing teeth thrice a day to which colour tie to wear. He can‘t wear socks and underwear unless pressed And one thought film heroes were supposed to be idols! Imran Khan‘s first thought always is what will his parents say/think? and he decides not to tell them about losing his job. Boman Irani plays the kind of father who was never happy with his son winning a silver medal but unhappy about losing out on gold one.
Single, suppressed and jobless, Imran Khan bumps into Kareena Kapoor at a utility store who on her part has just been ditched by her boyfriend she keeps referring to as Sam. Kareena Kapoor is everything that Imran Khan is not; extrovert, fun loving and full of stories about her past affairs. It is Christmas eve and Kareena Kapoor invites Imran Khan to celebrate the evening with her at a shady bar; not quite the hero‘s class but that is what an always tight on money Kareena is used to. A simple beer drinking evening turns into tequila guzzling session, one thing leads to another and both end up in an instant marriage chapel only to come out married to each other. (If it sounds familiar the basic theme is from the 2008 Hollywood film, What Happens In Vegas). The realisation strikes the morning after and both decide to annul the marriage.
However, the circumstances lead Kareena Kapoor to take shelter in Imran Khan‘s pad before she makes a trip to India in a few days. Fondness grows and she convinces Imran also to join her on her trip and yes, he can live at her house and his parents need not know. So what if Mumbai is so huge and crowded, Imran Khan can‘t hide from his parents as he is spotted crossing a road by his mother and it is time to change tracks as over a dinner Imran Khan opens up before his parents and guests breaking the shackles over his life. The story moves back to its original track, Imran Khan and Kareena Kapoor; the former has by now fallen head over heels for Kareena who does not share his feelings and is content telling him about her various past encounters! Her feelings for Imran Khan are purely platonic and that is how it remains as the film ends. The hero remains an eternal loser!
This is a thin and routine storyline with mostly two characters, not equally talented, to carry it through. The funny moments and gags are few and far in between which makes the going very slow, dull at most times. Direction is routine. Musically, only the title song stands out. Dialogues are good at places, but not enough to make it a laugh riot.
Performance-wise, Imran Khan has few expressions to offer coming out bland most of the time. Kareena Kapoor gives one of her better performances and does her part convincingly. Boman Irani and Ratna Pathak Shah are good.
Ek Main Aur Ekk Tu is an insipid watch with poor prospects at the box office.
Hindi
Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil
Strong word-of-mouth turns Pongal satire into remake pick
MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.
Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.
Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.
Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.
By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.
For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.
Hindi
Fans take centre stage as Zee Cine awards turns the spotlight around
MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.
The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.
The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.
Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.
The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.
Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.
Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.
As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.
Hindi
Prime Video to stream Don’t Be Shy, produced by Alia Bhatt
MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.
Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.
The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.
Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.
For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.
With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.
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