Connect with us

Hindi

Yet another disappointment from RGV

Published

on

MUMBAI: When Ram Gopal Varma makes a film, one is a bit sceptical. He has not made a sensible film in a long time after all! When you go to a movie expecting nothing, you do usually come out happier than if you expected a masterpiece.

Producer: Viacom 18 Motion Pictures, Uberoi Line Productions.
Director: Ram Gopal Varma.
Cast: Amitabh Bachchan, Sanjay Dutt, Rana Daggubati, Deepak Tijori, Vijay Raaz, Abhimanyu Singh,Anjana Sukhani, Laxmi Manchu, Madhu Shalini.

This, however, is not the case with Department, the latest Ram Gopal Varma film. One does go in expecting nothing but one comes out exasperated and mentally fatigued. Department is an exercise in senility: it tries your patience, it tests your nerves and it challenges your sensibilities. After a run time of 2 hours 13 minutes, you come out not knowing who was who in the film, what his motives were and, to top it all, you are threatened with a sequel!

There are some cops on a killing spree in order to get the better of the underworld. Rana Daggubati, one of them, is singled out for suspension for being trigger-happy. The other one, Sanjay Dutt, knows to hide his tracks well. Since there is too much of underworld, some unknown and unexplained face decides to form a special task force called Department, which will not be answerable to anyone and which will not exist on paper.

But, this being a Ram Gopal Varma film, all and sundry know of its existence the moment it is formed. That includes a crazy looking Mumbai don, Vijay Raaz, and a secretive Dubai-based kingpin, Ghouri Mohammed. Rana and Dutt both embark on a shooting spree killing some random faces to reach Vijay Raaz. The charade goes on until a little before the interval, when Amitabh Bachchan makes his entry. He is an idiosyncratic character who ties a small bell to his wrist and has a weird story to tell about it which he never really tells. He is some sort of a minister who pulls all the strings even as he behaves like he is off his rocker. He is a don turned politician after attaining sakashtkar under Dharavi Bridge.

The Department, which is a small band of shooters, soon has different sponsors. Sanjay Dutt obeys the faceless don in Dubai, Rana listens to Amitabh Bachchan and the rest, including Deepak Tijori are incidental.

Advertisement

Having killed most of the Mumbai underworld, the Department heroes end up killing each other: long live the Don in Dubai; he is spared for Department 2 if you care.

Department has a sequence of events but no cohesive script. Ram Gopal Varma grossly misuses his artistes and takes the audience for granted. He makes this narration into a perfect torture device. Dialogue is pedestrian. Music is irrelevant and forced. Ram Gopal’s experiment with student cinematographers becomes a joke as he goes overboard. Editing is nonexistent.

As for performances, only Rana Daggubati looks sincere. Amitabh Bachchan’s character and getup are designed to make an impact; all they do is make him look like a psycho. Sanjay Dutt is his usual self. Vijay Raaz is unlike any don one has known or heard of. The characters of Abhimanyu Singh and his girl, Madhu Shalini, border on insane. This bunch shows the maker’s taste for the macabre.

Department is a rank bad film with poor box office prospects.

 

Lacklustre scripting, doomed to go unnoticed

Advertisement

 

Producer: Chandra Pemmaraju.
Director: Chandra Pemmaraju.
Cast: Melanie Kannokada, Arjun Gupta, Levrenti Lopes, Michael Derek, Rob Byrnes, Ryan Vigilant, Aaron Katter, Leah Kavita, Carolyn Korale.

Love Lies And Seeta (English with few Hindi dialogue) is directed by Chandra Pemmaraju, who clearly has a passion for filmmaking. An Indian-American, his two earlier shorts have been a part of various film festivals. The film is a shoestring-budget love story about an Indian-origin girl, Seeta (Melanie Kannokada, a former Miss India America), and three boys who fall in love with her.

The boys, Arjun Gupta, Levrenti Lopes and Michael Derek, are all students who vie with each other to win Seeta’s love and attention. They get into a silent war of deception amongst them, which verges on violence. Seeta dates all three simultaneously which further adds to the misunderstandings among the boys.

Advertisement

Seeta, who was adopted as a child by an American couple, seeks counsel from her father, Rob Byrnes, after which she decides to tell all three boys that she likes them as friends but is not in love with any of them. She also discovers her true love in Ryan Vigilant, with whom she had played in her childhood and who has been in love with her since then. Seeta also has her two close friends who are nursing a silent love for two of the boys but can’t open up since the boys are in love with Seeta. Eventually, all end up getting their partners.

Chandra Pemmaraju chooses the New York summer as the backdrop of his narration and presents some pleasant visuals of the New York landscape. The drawback is with his scripting which is like oral storytelling and is slow without dramatics. Music is apt and soothing.

Love Lies And Seeta, released without any sort of promotion, is fated to pass unnoticed.

 

Hindi

Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil

Strong word-of-mouth turns Pongal satire into remake pick

Published

on

MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.

Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.

Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.

Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.

By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.

Advertisement

For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.

Continue Reading

Hindi

Fans take centre stage as Zee Cine awards turns the spotlight around

Published

on

MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.

The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.

The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.

Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.

The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.

Advertisement

Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.

Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.

As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.

 

Advertisement

Continue Reading

Hindi

Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

Published

on

MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

Advertisement

For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

Continue Reading
Advertisement CNN News18
Advertisement whatsapp
Advertisement ALL 3 Media
Advertisement Year Enders

Trending

Copyright © 2026 Indian Television Dot Com PVT LTD

×
×