GECs
44th IFFI sees foreign films make the mark
MUMBAI: NEW DELHI: Tiny island nation East Timor’s first ever feature film Beatriz’s War directed by Bety Reis and Luigi Acquisto won the prestigious Golden Peacock Award for the Best Film at the forty fourth International Film Festival of India (IFFI) which concluded in Panaji in Goa over the weekend.
The award for the best film carried a Golden Peacock, a certificate and a cash prize of Rs 40 lakh. In her passionate acceptance speech at the closing ceremony held on the banks of River Mandovi, Reis said, “One of the world’s oldest and biggest film industries has reposed faith in the world’s newest and smallest film industry in East Timor. Since its independence in 1999, we have not just been fighting for the rights of women, the rights of children and the right to rule ourselves, but also our right to tell our stories.” Beatriz’s War is a passionate story of one woman’s conviction to remain true to the man she loves.
The film’s jury was unanimous in their decision selecting the film from East Timor, which succeeds in intricating intimate relationships between women and men during the hard years of continuous violence against East Timorians.
The best director award was given to Kaushik Ganguly for his film Apur Panchali, his tribute to stalwart master craftsman Satyajit Ray. He received Rs 15 lakh, a certificate and a Silver Peacock.
Thou Guils’t The Even, a Turkish film by Onur Unlu won the special jury award of a cash prize of Rs 15 lakh and silver peacock
The best actor (male) award went to Alon Moni Aboutboul for his performance in the Israeli movie A Place in Heaven where his performance as a cruel and sensitive character was applauded. The best actor (female) award was presented to Boczarska Magdalena for her performance in the Polish film In Hiding. Both these awards carried a Silver Peacock, a certificate and a cash prize of Rs 10 lakh.
The special centenary award of IFFI instituted in the 101st year of Indian cinema was handed to director Kamaleshwar Mukherjee of Bengali film Meghe Dhaka Tara by legendary actress Asha Parekh. The film is a tribute to Bengali off-beat cinema master Ritwik Kumar Ghatak. The centenary award carries a cash prize of Rs 10 lakh and a silver peacock.
The chief guest Michelle Yeoh expressed delight at being part of the ceremony and among incredible moviemakers. “I congratulate you for the movies you’ve made, and the incredible stories you’ve told. It is truly my honour to be in this room”, she said, adding: “The world is a smaller place than ever. A movie made in India reaches London or a film made in Singapore or Goa travels worldwide.”
On the occasion Union Information and Broadcasting Minister Manish Tewari said the 44th IFFI was a celebration of freedom of the human spirit, liberated from the mores of conventionalism. Talking about the initiatives taken over the past one year, he said, the single window mechanism that the Ministry has put in place will help streamline the whole business of producing films in India. He said the same mechanism has been extended to domestic film producers as well. Tewari said the government had also taken the initiative to replace the archaic Cinematograph Act 1952 with a completely new legislation, the draft of which is on the Ministry’s website for public consultation.
Goa Chief Minister Manohar Parrikar said the host state has promised a bigger and better IFFI going forward. “IFFI saw a huge number of delegates this time. We will plan a grander IFFI going forward. IFFI is one of the most celebrated festivals,” Parrikar said at the concluding ceremony.
Speaking on the occasion Ministry Joint Secretary (Films) Raghavendra Singh said, “This time we have had a concentrated dose of Indian and World Films. I hope the hangover of watching great films would last at least for a few days”.
Singh said that media reports about the event had been flattering, which he said must have in turn made the jury’s job of picking a winner tougher.
“This time we witnessed a 30 percent rise in the number of delegates that was 12000,” he said suggesting that the number of auditoriums at the venue had to increase.
“The response from North East cinema was terrific and Japan sent a great contingent,” he said.
Rohit Shetty, who was felicitated at the closing ceremony professed his love for Goa, which, he jokingly said, even rivaled his wife.
“Eighteen or 19 years ago I had told my wife I love you. Now this goes out to Goa. I love you Goa. When we were shooting for an action sequence for Singham in Goa, a man looked at me and suddenly stopped in the middle of the road and said, ‘where did you disappear for so many days?’ This shows how hospitable and friendly people of Goa are,” a visibly touched Shetty said.
Justin Chadwick’s film Mandela: Long Walk to Freedom was the closing film of the festival. The film chronicles Nelson Mandela’s his life from his childhood in a rural village to his emergence as the first democratically elected President of South Africa.
Earlier, Goa’s noted singer Remo Fernandes enthused the 2,000 strong audience with his performance ranging from his popular Hindi film numbers of Hamma Hamma to a rendition of one of his classical Indian compositions.
With this, the 11-day extravaganza of films, master classes, discussions and press conferences on films came to an end.
A total of 325 films from 76 countries, which included 15 Oscar nominees, were screened during the festival.
GECs
Sun TV posts steady revenue, profit dips amid rising costs
CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.
For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.
The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.
Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.
The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.
Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).
The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.
The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.
To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.
With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
GECs
SPNI hires Pradeep M with responsibility for standards and practices in the south
MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.
Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.
He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.
Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.
His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.
As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.
GECs
Colors Gujarati rolls out two new shows from 2nd February
MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.
Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.
In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.
A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.
-
News Broadcasting1 week agoMukesh Ambani, Larry Fink come together for CNBC-TV18 exclusive
-
News Headline1 month agoFrom selfies to big bucks, India’s influencer economy explodes in 2025
-
iWorld5 months agoBillions still offline despite mobile internet surge: GSMA
-
Applications2 months ago28 per cent of divorced daters in India are open to remarriage: Rebounce
-
iWorld2 weeks agoNetflix celebrates a decade in India with Shah Rukh Khan-narrated tribute film
-
Hollywood7 days agoThe man who dubbed Harry Potter for the world is stunned by Mumbai traffic
-
News Headline2 months agoGame on again as 2025 powers up a record year and sets the stage for 2030
-
I&B Ministry3 months agoIndia steps up fight against digital piracy


