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Zee Cine Awards scales up for 2014

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MUMBAI: All roads and the biggest names in Indian cinema and television converge at Mumbai’s Film City on 8 February this year. Reason is the 14th edition of the Zee Cine Awards aka the ‘World’s Biggest Viewers’ Choice Awards’ to be held there.

 

Among A-list acts, Shah Rukh Khan will perform to some of the hit numbers from his films including Lungi Dance, 1234 and so on. This year, Lux Cozi has been roped in as title sponsor. Additionally, the network is pitching for a special partner and looking for more sponsors across categories.

 

The Zee Cine Awards, started in 1998, were the first ever awards to be introduced by a television network and have since grown into an institution of sorts.

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Exults Zeel managing director and CEO Punit Goenka: “Zee Cine Awards is a property with growing global reach and audience share. The success of this award over the years makes it an indispensable component of advertisers’ media mix and this year, they will further leverage it across the network’s varied channels.”

 

This edition of the Zee Cine Awards will see a partnership with the Neeraj Pandey scripted film, Total Siyapaa, starring Ali Zafar and Yami Gautam and several initiatives on this front are to be announced shortly.

 

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Says Goenka: “Every year, the talent recognized by our viewers continues to inspire us with the depth and richness that the Hindi film fraternity represents. We will support extraordinary new films that need a platform like Zee Cine awards to showcase them to the industry, and that’s why we are pleased to support Total Siyapaa. We are looking forward to celebrating their achievements in a fittingly glamorous way at the awards.”

 

What also makes the Zee Cine Awards unique is that viewers’ votes decide winners. For instance, last year’s awards drew an unprecedented over 4.5 million votes from across the globe. This year too, in keeping with its promise Haq Hai Aapka, the network will only declare nominees across popular categories and then pass the baton of selecting Best Actor, Best Film and so on to its loyal audience through a transparent and hassle-free voting mechanism.

 

As Zeel chief sales officer Ashish Sehgal puts it: “We are amongst the first broadcasters to come up with an award like this. And secondly, we were the only ones to give them out as per viewers’ voting. Earlier, all the awards were constituted by film magazines – be it Screen or Filmfares.”

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Significantly, the Zee Cine Awards 2014 will be telecast on 23 February on multiple channels (Zee TV, Zee Anmol, Zee Tamizh, Zee Cafe etc.) across multiple geographies in different languages and genres, with a programming reach of over 700+ million viewers across 168 countries.

 

So why are the Zee Cine Awards being held in Mumbai for the second consecutive year after creating a worldwide footprint across destinations like Singapore, London, Mauritius and Dubai?

 

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Replies Sehgal: “With almost all awards airing overseas, after a long period, we brought it back to India, thinking we should give a chance to Indian audiences also.”

 

Zee Network is pulling out all stops to promote one of its biggest properties across platforms.

 

Viewers can log onto www.zeecineawards.com for a visual treat that traces the journey of the awards from 1998 through 2000 and till date, complete with over 2000 exclusive photographs and over 500 videos showcasing some of the best performances, award acceptance speeches, Kodak moments and behind-the-scenes buzz.

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Apart from this, the awards will be promoted on all network channels, giving advertisers an opportunity to reach out to different audiences across categories. Digitally too, the awards will be promoted in a big way with SRK’s performance as one of the highlights.

 

With the channel having achieved its targeted revenue of Rs 300 million last year, what is the target for this year, given there are restrictions on inventories unlike last time. Apparently, the network plans to make the extra moolah by showcasing the event on Zee’s HD channels as well (Zee HD, Zee Cinema HD and Zee Café HD). “Given the restrictions on inventories, the only thing that can go up is pricing,” says Sehgal.

 

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“This year, we are looking at kind of maintaining those revenues because we believe they are the highest revenues generated by an award show. The advantage we have this year is we can make extra money by showcasing these awards on our HD channels (Zee, Zee Cinema HD and also Zee Café). For evolved and discerning audiences, we are selling it separately. Though title and powered by will be common in both the channels, there will be more numbers of associate sponsors separately,” signs off Sehgal.

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Sun TV posts steady revenue, profit dips amid rising costs

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CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.

For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.

The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.

Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.

The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.

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Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).

The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.

The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.

To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.

With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
 

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SPNI hires Pradeep M with responsibility for standards and practices in the south

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MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.

Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.

He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.

Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.

His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.

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As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.

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Colors Gujarati rolls out two new shows from 2nd February

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MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.

Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.

In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.

A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.

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