Hindi

Bhootnath Returns…….Ghost Samaritan

Published

12 years ago

April 11, 2014

MUMBAI: It has become a trend for a film to end with a threat of a sequel. Good or bad or outright disastrous, most films leave open the possibility. That is like hoping to build a high rise on a weak foundation since most of these films promising sequels are flops. In that event, what led to the sequel to Bhootnath which was rejected in cinemas though it did better on TV and DVD circuits? Whatever the inspiration, here goes:

Bhootnath, Amitabh Bachchan, has been referred back to ghost land like a bounced cheque since he has failed to scare people on his first outing with earthlings. Ghosts laugh at him because of his failure to scare humans. Amitabh has eons before he can return to earth as a human and he feels belittled at this treatment by fellow ghosts. He asks the boss of ghost land to give him one more chance to go back and successfully scare people. After all, scaring living beings is what ghosts are supposed to do!I know as much about ghosts as ghosts know about me but this is what the film professes.

Back on earth, Amitabh uses his ghostly powers to scare some kids playing cricket in a deserted place. The kids are not the kind to believe in ghosts, let alone be scared of one. He comes across a kid, Parth Bhalerao, who can see him and is not scared of him since he does not believe Amitabh to be a ghost; the kid is street smart. A street smart kid led to Amitabh’s failure on his last trip on earth but, this time, the kid and the ghost both decide to use each others’ strengths.

Producers: Bhushan Kumar, Krishan Chopra, Renu Ravi Chopra.

Direction: Nitesh Tiwari.

Cast: Amitabh Bachchan, Parth Bhalerao, Boman Irani, Usha Jadhav, Sanjay Mishra, Brijendra Kala, Usha Nadkarni.

It seems the area where Partho lives, Dharavi, is the most neglected and deprived in Mumbai. Bhootnath decides to make his return to the earth at Dharavi, his bad luck! Soon Parth teaches the ghost the game of using each other. While Parth uses Amitabh to first help scare the convent school gang of cricket players and get into their league, Amitabh, in return, earns secrecy about his being and the fact that he is not all that scary a ghost. With a little help from Parth, Amitabh becomes a good neighbourly ghost helping people get their due justice. It is all fun so far but it is also time to introduce the villain.

Boman Irani is an ex-local goon turned politician and has been ruling the area assembly seat for the last three terms. His is a reign of terror, corruption and exploitation. His voters abhor him but also vote for him. Nobody would contest an election against him and, finally, it is left to Amitabh to do it. The law is silent on weather a dead man can contest an election and his lawyer, Sanjay Mishra, asserts as such. So, it is an electoral fight between Amitabh and Boman. This is where the film loses its purpose and direction and, mainly, its target audience: the kids it is aimed at.

The film entertains with its witty one liners delivered by Parth but, once the election issue is introduced, it becomes another film altogether. The light moments vanish and moralising lectures take their place, which is boring. On that count, the script loses its purpose. Direction is fair with quite a few liberties taken. There is no scope for songs except for sermonising kinds. Cinematography is good. Dialogue is well penned. The film has sourced a few of its actors from Marathi films. Parth is impressive. Usha Jadhav as his mother is very good. Amitabh Bachchan is his usual self, one who does not have to act to convey his part. Boman Irani goes a bit overboard at times. Sanjay Mishra and Brijendra Kala are good as always. Shah Rukh Khan and Ranbir Kapoor make brief cameos to no effect.

On the whole, the problem with Bhootnath Returns is that it turns out to be a children’s film with an adult theme coming as it does in the multiplex era where waiting for a DVD works out more economical than sending kids to cinema halls (as has been proved by the performance of Bhootnath on this count).

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Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil

Strong word-of-mouth turns Pongal satire into remake pick

Published

22 hours ago

February 9, 2026

indiantelevision.com Team

MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.

Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.

Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.

Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.

By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.

For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.

Hindi

Fans take centre stage as Zee Cine awards turns the spotlight around

Published

2 days ago

February 7, 2026

indiantelevision.com Team

MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.

The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.

The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.

Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.

The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.

Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.

Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.

As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.

Hindi

Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

Published

2 weeks ago

January 30, 2026

indiantelevision.com Team

MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.