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‘Filmistaan’ to be released in more than 450 screens

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NEW DELHI: In a rare case, a film with no romantic angle or female character and based on the backdrop of terrorism is being released on 6 June in more than 450 screens across the country.

 

The film, ‘Filmistaan’ by debutante director Nitin Kakkar, is about interplay for a no-man’s land where the only connect between the two main characters of whom one is an Indian prisoner is their love for Bollywood.

 

Kakkar told indinatelevision.com in an interview that he wanted to highlight that cinema has no division of caste or religion.

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‘Patriotism is the reality and jingoism is how one sells this sentiment’ he said in reply to a question on how filmmakers attempt to show patriotism.

 

Asked why he had kept the end open-ended, he said he wanted to convey the message that people are standing at the borders even today in the hope that these will open someday. He had also ensured thereby that the film was neither romanticized nor gloomy.

 

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H also stressed that the focus was always on the love for cinema and not politics or terrorism. He attributed this to the fact that he had been seeing films from childhood which indulged in anti-Pakistani jingoism.

 

‘Filmistaan’ had won a National Award for 2012 and has received good response in several international festivals including Busan, across the United States and Europe and in Jaipur.

 

The response had been very positive even from those from Pakistan who saw the film at these festivals, Kakkar said.

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Produced by Shyam Shroff and Balkrishna Shroff, the film stars Sharib Hashmi, Inaamulhaq, Kumud Mishra, Gopal Datt, Sanjay Mehta, Ravi Bhushan, Waseem Khan, Tushar Jha, Saroj Sharma, Manoj Bakshi, Sagnik Chakrabarty, Habib Azmi, Kavita Thapliyal, Punit Nijhawan, and Neela Gokhale. The lyrics are by Ravinder Randhawa and music is by Arijit Datta.

 

Kakkar said he based the film at the Bhatinda-Rajasthan border which is very close to Pakistan and people often cross the border easily.

 

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The film was shot in just 20 days – 16 days in Bikaner, and two days each in Jaipur and Mumbai.

 

Interestingly, the film did not face any problems with the Central Board of Film Certification and was granted a ‘U’ certificate.

 

Asked about the involvement of UTV and Shringaar, he said they came in at the last minute.

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He said the cost of marketing a film was often more if not equal to making it, and therefore independent filmmakers had to prove themselves before any distributor put his money into the film. He said what Bollywood needed at this time was high content and catchy stories.

 

The story is about affable Bollywood buff and wannabe actor Sunny who is kidnapped by an Islamist terrorist group when he is in Rajasthan with an American crew to work on a documentary, where an Islamic terrorist group kidnaps him. The house in which he is confined belongs to a Pakistani whose trade stems from pirated Hindi films. Soon the two realize that they share a human and cultural bond. .

 

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Born in Mumbai, Kakkar made his first short film “Black Freedom” in 2004 which won some awards at various short film festivals. Since then he has been working on some television projects. This is his first feature, but he said he had three scripts ready and would get down to making them as soon as this film is released. 

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Fans Take Centre Stage as Zee Cine Awards Turns the Spotlight Around

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MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.

The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.

The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.

Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.

The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.

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Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.

Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.

As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.

 

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

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For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26

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MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.

The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.

Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.

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