Hindi
‘Sonali Cable’… Stuck in time
Sonali Cable must have been an idea in the mind of its writer-director, Charudutt Acharya, for a long time. Finally, he gets to realize it. Why is it an old thought? Because, cable turf wars are a story of the late 20th century. Providing cable connections was a totally money-and-muscle-wielding business when it started. There was nothing legal about it because there was no control. It just flourished.
Cable was a way to watch various TV channels and infringing on other cable operators’ turf was the norm. It led to gang wars, murders and all such things that happen in other turf wars; after all, it was all about taking over a territory. But, Sonali Cable talks of a later stage. The stage when cable service was not limited to TV channels but also started providing internet connectivity.
The story of Sonali Cable is a two-way fight between a multinational powerful company, Shining, owned by Anupam Kher, who wants to control all of Mumbai’s net connectivity which, according to him, will make whole of Mumbai vulnerable to him!! (There have been weirder ideas!) He has bought over all small time operators catering to few thousand connections and Mumbai is all his except for this one small time network provider, Sonali (Rhea Chakraborty); her 3,000 connections stop him from controlling the entire city. For the convenience of the script, the national service provider, MTNL, is done away with, and so are other poor contenders owned by private companies. It is all about Kher, who walks in like East India Company, and takes over the net connectivity in the business capital of India.
Then there are the emotional angles. Kher’s mother brought him up supplying khakhras in some Saurashtra village. Today, he swears by a khakhra but has no scruples otherwise. The film waits a long while for Sonali to get her own back. Which, by the way, totally ruins the latter half of the film. The shortcomings and liberties notwithstanding, the film loses the plot post-interval.
Kher takes over Mumbai: just about every product is his, and just about every politician is owned by him. But this is the computer era as well as spy camera era. So, like all recent films where the villain ends up blabbering in front of a hidden camera, Kher complies too!
The problem with this film is that the makers, and especially the writer, take the audience for granted. Can anybody monopolise Mumbai? Especially its net connectivity? While some ideas are good, some are farfetched. Also, the film has a Mumbai-Marathi flavour and a generous use of local slang words, which will not be understood by everyone. The film has some good songs. Direction shows promise given a better script (which is also by the director here).
The story revolves around Rhea, a slum bred independent girl running her cable network with an opportunist politician, Smita Jaykar, whose son, Ali Fazal, is Rhea’s childhood love. Rhea does well except when using Marathi slang. Ali Fazal is getting better with each film. Raghav Juyal is a natural. Anupam Kher does one of his quirky characters with élan. Jaykar does well.
Sonali Cable is out of tune with time and, otherwise too, goes haywire in the second half. Faces poor prospects.
Producers: Ramesh Sippy, Rohan Sippy.
Director: Charudutt Acharya.
Cast: Rhea Chakraborty, Ali Fazal, Raghav Juyal, Anupam Kher, Smita Jaykar, Swanand Kirkire.
Hindi
Fans Take Centre Stage as Zee Cine Awards Turns the Spotlight Around
MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.
The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.
The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.
Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.
The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.
Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.
Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.
As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.
Hindi
Prime Video to stream Don’t Be Shy, produced by Alia Bhatt
MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.
Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.
The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.
Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.
For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.
With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.
Hindi
Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26
MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.
The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.
Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.
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