Connect with us

Hindi

‘Ungli’…Fingered!

Published

on

MUMBAI: While the Indians may love a Robin Hood kind (he robbed for charity), vigilante films, which have been made by the dozens in Hollywood, they are not very popular genre in India because, this is a nation supressed by some or the other rulers and have got used to the idea. So what if their own people like Municipal head or RTO boss or traffic cop and others supress you and put a price on just about everything you need to survive, we take it in our stride. Why bother to fight for your right when you can buy it in anything between Rs 100 to a lakh and be done with it?

It is a common scene that in a city like Mumbai, traffic police don’t stop you from doing wrong, they stand round the corner to let you do that and cash in on your crime! It is the same when one is unfortunate enough to need the help of the ‘service’ of one of the government agencies.

Randeep Hooda, Angad Bedi, Neil Bhoopalam and Kangana Ranaut are friends who are let down by the society and people in high places. Their gym instructor and brother of Kangana, Arunoday Singh, is lying in a coma with little chance of recovery; he is in this condition because he was hit brutally by a fixer’s, Mahesh Manjrekar, son who handles bribe collection and distribution of the Mumbai police force. There is only one witness, senior citizen Arunoday who is trying to defend himself from Manjrekar’s son.

Producers: Hiroo Johar, Karan Johar.
Director: Renzil D’Silva.
Cast: Sanjay Dutt, Wmraan Hashmi, Kangana Ranaut, Neha Dhupia, Randeep Hooda, Angad Bedi, Neil Bhoolam.

The senior citizen is threatened not to identify the culprit in the court and, as a result, the culprit is set free. The foursome lose faith in the system and decide to mete out justice on their own. They turn vigilantes. They decide to take on the corrupt and punish them on the spot when and where found guilty of corruption. The electronic media, always at the end of the butt of joke in movies, make these vigilante gang famous from their very first exploit. Also, the way they give names lacking imagination like Coal Gate (inspired by Watergate!), Bollywood (inspired by Hollywood), they name the gang as Ungli Gang because that is the sign they left behind after their first episode of instant justice.

While every department takes its turn at being punished by the Ungli gang, the police is hot on its trail. The people in high places are uncomfortable with this gang fearing their turn someday and want its illegal activities to end and to put them in prison. So the corrupt police force selects the most honest cop, Sanjay Dutt, to capture the gang who in turn enrols the rebellious junior, Emraan Hashmi, to do the job. Emraan is a rebellious cop and generally anti-establishment.

Advertisement

Emraan Hashmi joins the Ungli gang to liquidate it. Instead, he sees the gang’s point of view and becomes a part of it. As it progresses, the film strays.
The script is quite hackneyed and direction patchy. There is no eye for details in things like designations and stars worn are three for all ranks and there are many such glitches. Musically, Dance Basanti… and Pakeezah have appeal for youth. Dialogue is good at places. The film looks dated having taken its time in making.

Ungli has had a poor opening and has little chance of showing much improvement over the weekend.

                                                  

                                        ‘Zed Plus’…Nothing plus about it

Zed Plus is supposed to be a satire on the security system of the Indian police protection branch locally and the National Security Guard nationally. Zed Plus is supposed to be a security cover provided to a VIP. Since the perception of who is a VIP and deserving of such a security is determined on threat perception, it is the cause for this film promoted as a satire. One day, a local puncture mender with his workshop on the highway, Adil Hussain, earns this Zed security. This is all about him.

Advertisement

This is a famous dargah town in Rajasthan which goes back 500 years. The originator of the Dargah had a family of 12 children which has now flourished into 400+ heirs but only one man runs the dargah and pockets all the takings. The others rebel and it is decided that all the heirs will get a chance to perform the rituals at the dargah one by one, each getting a turn every 15 months!

The film is all about this small town with a dargah as its claim to fame. While the film peers in to the lives of the townfolk, it returns to its main theme only much later.

Kulbhushan Kharbanda is the prime minister of India surviving on day to day basis with his blackmailing coalition partners. Just about every coalition partner is blackmailing him with threats of withdrawal of support everyday unless their demands are met.

When the PM, Kharbanda, is all at sea, some unidentified caller advises him to visit this famous Peepali Pir dargah in Rajasthan which would solve his problems. Of among the 400+ guys to take their turn to be the Khadim of the dargah, it happens to be the turn of Adil to conduct the rituals of the dargah on the day the PM is slated to visit.

The PM arrives, the town is cleared of all ugly sights including Adil’s puncture shop and the front platform of his wife’s (Mona Singh) footwear shop. Many are left jobless. The PM’s dargah visit works for as soon as he enters the premises, the PM’s problems are getting solved one after the other. He has only Adil to thank for all the favours of the dargah. He is happy with Adil and asks Adil to spell his problems if any and the PM would solve them for him. Adil says he is threatened by his neighbour, Mukesh Tiwari, only for the PM to understand as the national troublesome neighbour, neighbouring country (Pakistan).

The PM instantly orders a Zed Plus security for Adil, a victim of Pakistani threats! The rest is left to the media who make him into a national hero like it did a simple village man, Omkar Das, in Pipli Live.

Advertisement

Adil becomes a celebrity overnight. A local hero, he is chosen by the Rajasthan CM to contest for his party. His degeneration has started, he is taught to accept bribe. He is manipulated by his PM and his Rajasthan CM, both being anti each other.

Our hero, Adil, is right out of Raj Kapoor’s Shri 420. He decides to return to his normal life. He realizes his follies and greed and confesses to them at an election meeting.

Zed Plus may be a satire but hardly worth any mirth. The only problem Adil faces due to the security is that he can’t visit his paramour without the security guards following him. The PM’s PA knows a gaff has been made by the PM but he has to stick to the story of threat from the neighbouring country so that the PM is not made to look like a fool. Hence, despite Adil’s requests to withdraw his cover, it stays.

While the idea was worth exploring, it is stretched too much trying to pack in parallel stories. Direction is fair. Songs have purely thematic appeal. Editing is slack. Adil Hussain performs very well equally supported by Mukesh Tiwari.  Mona Singh is adequate. Sanjay Mishra is good as usual. K K Raina impresses.
Zed Plus has weak face value leading to its poor opening. It faces bleak prospects.

Advertisement

Hindi

Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil

Strong word-of-mouth turns Pongal satire into remake pick

Published

on

MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.

Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.

Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.

Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.

By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.

Advertisement

For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.

Continue Reading

Hindi

Fans take centre stage as Zee Cine awards turns the spotlight around

Published

on

MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.

The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.

The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.

Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.

The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.

Advertisement

Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.

Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.

As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.

 

Advertisement

Continue Reading

Hindi

Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

Published

on

MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

Advertisement

For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

Continue Reading
Advertisement CNN News18
Advertisement whatsapp
Advertisement ALL 3 Media
Advertisement Year Enders

Trending

Copyright © 2026 Indian Television Dot Com PVT LTD