Hindi
Centre considering dedicated documentary TV channel: Rathore
MUMBAI: Minister of State for Information and Broadcasting Rajyavardhan Rathore said his Ministry was seriously contemplating a dedicated channel for documentary, short and animation films.
However, he said it was difficult to say at this stage whether it would be a new channel or an existing channel like Doordarshan’s DD Bharati.
Speaking at the inauguration of the 14th edition of Mumbai International Festival for Documentary, Short and Animation Films – MIFF 2016 – which was inaugurated by Maharashtra Chief Minister Devendra Fadnavis, Rathore said that documentaries more than features ‘shake us’ and bring about changes in society.
At the same time, he said that the Films Division, which runs the festival needs to innovate and re-invent itself if it had to remain in the public eye and ‘find a reason to exist.’ Rathore cited that the MIFF was part of that process as it gave new vitality to documentary, short and feature films, which get a strong platform here.
He was particularly satisfied that the Division had taken the bold step of FD Zone, whereby documentary films are being shown in other cities at the same time as MIFF.
Rathore said that the I&B Ministry would continue to make efforts to make things easier for makers of documentary, short and animation films. “The mushrooming of so many news and current affairs channels can be probed to help exhibit these films.
Documentary filmmakers are strong storytellers who move audiences with their films. Digital technology has ushered in a new era in film making and is greatly contributing to the documentary film movement,” he said.
“It is heartening to note that our film makers, despite having great financial hurdles have gone ahead and made excellent films, displaying a mature approach while dealing with social and economic issues. Such films should not remain unseen,” Rathore added.
He also said that the Government was in favour of ensuring that the power and freedom of the filmmaker was not limited by archaic certification laws and referred to setting up of the Shyam Benegal Committee to examine the entire certification process.
Benegal was a Guest of Honour at the inauguration, which also included MIFF brand ambassador Jackie Shroff, Indian Documentary Producers Association president Mike Pandey and Festival director Mukesh Sharma.
Veteran wildlife filmmaker and conservationist Naresh Bedi, who along with his brother Rajesh has been making films for over 45 years, received the V Shantaram Lifetime Achievement Award for his contribution to documentary filmmaking. Filmmaker Kiran Shantaram, who is son of the late V Shantaram, presented the award comprising a trophy, shawl and a cash prize of Rs 5 lakh.
Speaking on the occasion, Fadnavis said that he had offered land to the central government in the Film City in Mumbai for building the long-pending Centre of Excellence in Animation and Gaming. “The state will extend all help in this process,” he said.
Earlier, Benegal said it was sad that while such a prestigious festival was being held, no serious thought was being given to exhibiting and distributing these films. “Ways need to be found to ensure that filmmakers who dabble in the documentary format get their money back to be able to make more films as many are not even able to pay back the loans they took for such films. This is imperative at a time when digital cameras and even cellphones can be used to make films,” he said.
A total of 385 documentaries, short and animation films will be screened during the Festival, which is held every second year in Mumbai. The Festival concludes on 3 February.
The event, organised by the Films Division of the Information & Broadcasting Ministry is supported by the Maharashtra Government.
Hindi
Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil
Strong word-of-mouth turns Pongal satire into remake pick
MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.
Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.
Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.
Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.
By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.
For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.
Hindi
Fans take centre stage as Zee Cine awards turns the spotlight around
MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.
The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.
The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.
Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.
The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.
Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.
Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.
As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.
Hindi
Prime Video to stream Don’t Be Shy, produced by Alia Bhatt
MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.
Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.
The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.
Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.
For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.
With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.
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